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Sylvester Stallone stars as ex-Green Beret John Rambo, a shell-shocked Vietnam vet adrift in the Pacific Northwest. Harassment by an unsympathetic small-town sheriff brings on nasty flashbacks of torture at the hands of the Viet Cong; after busting out of the jail where he has been unjustly imprisoned, our psychically-scarred hero vows to get revenge on the ungrateful sheriff. Before blowing the sheriff and his town away, however, Rambo must use his jungle smarts to elude the relentless posse of state troopers and National Guardsmen who pursue him through the forest. (official distributor synopsis)

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novoten 

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English During my prepubescent years, the first Rambo was, for me, a pure action-filled masterpiece with almost an artistic psyche, making me appreciate myself for having it as my favorite from the entire series. And although it no longer makes sense to expect anything more from the prologue of a sad killer's story, John is still an unquestionable action idol for me. ()

gudaulin 

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English In my profile, I indicate that I don't like action movies, but that's not entirely true. There are quite a few exceptions that confirm the rule, especially those that don't take themselves seriously, like the Die Hard series. However, Rambo is a different case. The film embodies elements and genre clichés that I don't like in action movies. It is one of the first films in its subgenre and essentially defined this category of films, and is considered its symbol. I don't feel the need to argue with the cult, as I generally agree that it is the most valuable film in the series about the indestructible jungle fighter and also the only film in the series that can be taken at least somewhat seriously or has some value in terms of cinematic art. The script and direction still try to portray certain psychological aspects of the characters, and there are several decent supporting actors - by the way, Richard Crenna certainly isn't one of them, but Brian Dennehy deserves full recognition. However, in terms of the technical quality of today's action films, the high rating of the original Rambo is clearly influenced by nostalgia and the average age of users. Overall impression: 40%. ()

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lamps 

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English Today this film is an action classic, but it failed to dazzle me enough to draw me into the plot. And that's despite the well crafted and brisk screenplay and the great Sylvester Stallone, whose role as a retired war hero fighting against a handful of lawmen deserves nothing but thumbs up and admiration for his successful traps. But when the film leaves the dark and suspenseful environment of the woods and Rambo isn't hiding behind a tree with his hunting knife, it's not that good and the ending didn't feel very spectacular or original. In any case, there is almost no boredom and the action is more than satisfying, so 80%. ()

3DD!3 

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English At last, I saw the entire movie from start to finish today. (I mean even with the beginning, when John goes to the lake and asks about his dead friend). What else can I say? Rambo is a cult classic and, right after Rocky, it is Sylvester Stallone's most famous role. Contrary to the sequels, the first movie is more focused on survival in the wilderness and post-traumatic experiences from the Vietnam War and that makes the first movie the best one of the trilogy. Amazing music from Jerry Goldsmith and wild, yet beautiful landscapes (coincidentally, the plot is set in the state of Maine, birth place of the wizard of horror, Stephen King) raise the overall effect to 5 stars. ()

Isherwood 

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English Rambo is not about nostalgia! Even after more than 20 years, it's still an alarming reflection of the times and one that makes the absolute most of the Vietnam syndrome. Although Rambo is one of the model pillars of 1980s action movies, the film stands out for its surprisingly intelligent plot and believable action sequences that are a joy to watch. Stallone earns points for his acting and his minimalist facial expressions fit the role of a war-torn veteran. And when he laments the losses of the war at the end, the audience’s emotions are at full attention. "They drew first blood, not me!" ()

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