The Lighthouse

After The Witch, Robert Eggers directs another period and psychologically challenging piece, this time in black and white and square format, making it feel like it was made in 1910. that initially repulsed me, but eventually I found myself immersed in the plot and enjoying the nightmare driven to madness. Both Willem Dafoe and Robert Pattinson give great performances, the dialogue is impressive, the atmosphere thickens and there are a few disturbing scenes (a seagull being bludgeoned to death, a live burial, masturbation over a mermaid and the final scene is very raw). Here I can understand 10 stars and 0, so it depends on you, but I was not bored. 7/10. (01/08/2020)

The Lighthouse is undoubtedly a remarkable experience. A film composed of black and white shots in the classic aspect ratio, full of magical realism turning into naturalism. Even its language is different, and the script is inspired by the language of real 19th-century sailors and the unfinished short story by E. A. Poe. The result is certainly worthy of attention, but it is open to debate whether pure naturalism would be a more appropriate form. (03/19/2022)

The Lighthouse is about nerdy form, great actors and the director’s fearlessness in experimentation and ambition to do something that had never been seen before. The sound track is astonishingly engaging and almost even scary with the deep droning of the lighthouse. The cool black-and-white 4:3 composition is reminiscent of horror movies from the early 20th century. The depressing confining atmosphere of the remote, foggy and windy exterior and the damp and stinking interior. And the conflict between two men that doesn’t take all of these circumstances into account. Their drunken talk isn’t very stimulating, but it serves well to characterise the men and the place at the time. (01/08/2020)

This is a visually and masterfully enchanting and outrageously impressive psychological drama, with great acting and with horror elements, inspired by naval stories, the works of Herman Melville and ancient mythology. It is impossible not to admire the film’s depressing claustrophobic atmosphere, elaborate mise-en-scène, unreal camera, work with sound and meaningful lighting, and the acting of both protagonists, to whom the script gives a fair share of space (apart from a number of significant scenes together, they both shine in their own long monologues). This is a realistically raw and uncompromisingly unique work, in which, surprisingly, there is also humour. The film excels in pictorial intoxication and maximum directorial precision, and fortunately, unlike the Witch, it is not at all cumbersome, overstretched or unintentionally ridiculous. (10/08/2019)

This is a beautifully filmed black and white movie in a 1.19:1 square format which is evocative of a different time, as if the hypnotic movie The Lighthouse was created outside of all time and space. Willem Dafoe and Robert Pattinson give magnificent performances, and they compete to outperform each other in who portrays the most manic version of a madman. Figuring out the symbolism of the scenes, and the point of certain moments in the plot, offers up all sorts of parallels extending back to ancient times, however, I do not want to give out any spoilers, The Lighthouse is definitely a movie that everyone has to interpret in their own way. It is a very well-made art-house horror movie, which makes you completely believe the loneliness and hopelessness is real, so I was still waiting for some element from Robert Eggers, which would completely knock me off my feet while watching his movie, which did not happen. Anyhow, I still acknowledge his great directing skills and unique vision, and I will be very interested in his future directorial work. I heartily recommend seeing The Lighthouse on the big screen and, if possible, with very well-translated subtitles. [Sitges 2019] (10/06/2019)