Star Wars: Episode III - Revenge of the Sith

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The galaxy is weary after three long years of war. Anakin Skywalker and Obi-Wan Kenobi have become legendary heroes in their campaigns against the droid forces of the evil General Grievous. Anakin and his secret wife, Padme Amidala, have been separated for months, and he finally reunites with her to learn that she is pregnant. He is plagued by visions of her dying in childbirth, haunting images of a possible future. Anakin is determined to stop her from dying--no matter the cost. This leads Anakin down a dark path to commit terrible deeds. Obi-Wan Kenobi must face his former apprentice in a ferocious lightsaber duel on the fiery world of Mustafar. (official distributor synopsis)

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Reviews (13)

Marigold 

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English Episode III is a desperate fugue in which the wandering torso of the Jedi order tries to patch up what it can to end up in utter disillusionment and agony. Lucas indulges the viewer with his spectacular tricks, but almost from the beginning of the film, he amplifies an evil hunch and amplifies the dark undertone that culminates, both audibly and visually, in a scene where Anakin makes a fatal decision in the abandoned Jedi Temple to help his seducer Palpatine. Although George Lucas is a mediocre director, this scene and several others (especially the destruction of the Jedi) are among the most emotionally powerful in the six-part series. In Episode III, he manages to maintain a rhythm and pace that escalates brilliantly towards the end to the wild staccato of hopeless scenes that form the imaginary highlight of the new trilogy. It is unusually naturalistic and completely resonates with the new atmosphere that Star Wars has received both through new episodes and, above all, with a series of computer games. The impression is monstrous, urgent, immediate. There's not much to add – Revenge of the Sith is proof that all the mistakes of the previous two films were worth it, as they built the bridge to the truly grand finale. Complaints – the action scenes are too stretched and suffer from the classic visual gluttony of the digital age, of which Lucas is the guiding spirit. Too many colors and effects lead to clutter. John Williams' music is kind of stiffened, but it works at key moments. Yes, and then the few reminisces of incredibly starchy love dialogues. But very few. Too few to ruin an episode that really doesn't have to be ashamed to be in the company of A New Hope and The Empire Strikes Back. ()

kaylin 

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English When it came to the pivotal installment meant to tie everything together, he finally managed to connect with the original trilogy in terms of the fourth and fifth episodes. This is a hauntingly dark ending to the new trilogy, so dark it will sometimes give you chills. The special effects are magnificent right from the start. The duel with Grievous is among my favorites, as well as the clash between Yoda and Sidious (Yoda doesn't finish this fight either) and Obi-Wan with Vader. ()

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lamps 

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English Dramaturgically, it’s much more mature and immersive than the two previous episodes. It’s incredibly spectacular and dynamic in its individual attractions, which exquisitely heightens the atmosphere and, for the first time in the new trilogy, revels in fatality and visual darkness. While Lucas is absolutely incapable of any psychological level, and SW in his hands remains a cold showcase of intergalactic filmmaking possibilities and worlds, this instalment at least has the narrative balls and verve to make me gladly forgive him for the mechanical dialogue or the dull character shift by the awful Christensen. It's got major conflict, pivotal moments of the entire saga, and an ultra-cool Yoda and Obi-Wan whose separate story-arcs, capped by two parallel and iconic duels, I would sketch in the starry sky at night and always watch before falling asleep. The transition to A New Hope is finally completed, George Lucas, you have my respect... ()

Malarkey 

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English The third episode, which is also the sixth one to be shot, makes its epic qualities really more than obvious. I feel that George Lucas told everyone that the first trilogy couldn’t be done in the 1970s, but he also did it on purpose so that the epicness of it could be built on the existing fame. Which actually, in the end, happened. I remember, that when I, back then, started with the newer trilogy, I was very uncertain after the second episode what would come in the third one. And the third one also started pretty slow. But the second half of the movie is, thankfully, a never-ending wipe-out that not only brings you the transformation of Anakin into Darth Vader, but there is also a solid amount of scenes some fans have been waiting for for 2 decades and which aren’t going to be forgotten easily. And that’s despite the fact that everybody even then knew very well what was going to happen and they still couldn’t help but feel the suspense that the third episode hides. For me a complete climax during which you need to wait out the first half-hour of political babbling so that you can enjoy the acting reincarnation of Hayden Christensen into one of the most powerful Sith Lord of that time. ()

Remedy 

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English Episode III ingeniously develops the conflict with the dark side of the Force and presents Anakin's entire transformation in a supremely realistic and believable way. Definitely the best installment of the new trilogy, and thankfully very close to the qualities of the original Star Wars. ()

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