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The story of world-famous neurosurgeon Dr. Stephen Strange whose life changes forever after a horrific car accident robs him of the use of his hands. When traditional medicine fails him, he is forced to look for healing - and hope - in an unlikely place: a mysterious enclave known as Kamar-Taj. He quickly learns that this is not just a center for healing but also the front line of a battle against unseen dark forces bent on destroying our reality. Before long Strange - armed with newly acquired magical powers - is forced to choose whether to return to his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence. (Walt Disney US)

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Reviews (16)

Malarkey 

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English Maybe I was radiating excessive expectations about this comic book movie that is trying to be different at first sight. What a disappointment it was to me when I realized that not even Benedict Cumberbatch can save a comic book movie that is an absolutely standard comic book movie and that on top of that calls for some pretty strange animations, which were evidently borrowed from the movie Inception. But where I saw the bending of the plane as an original intention, here I see that everything is just a sad effect that is trying to turn the movie into something more than it actually is. It’s a pity. He could have been a unique superhero who has the best catchphrases. But, unfortunately, even Iron Man is cooler than Doctor Strange. ()

Kaka 

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English For a while it looks like an advanced version of Batman Begins, followed by a certain touch of Inception, and it ends very awkwardly, like every Marvel flick where the world is saved, at least until the sequel. Thumbs up that this time they are not destroying skyscrapers, or even entire cities, and are doing it smartly, through casual humour. One cannot but praise the casting and the dynamic music of Giacchino, who has done these fast-paced compositions quite successfully a few times before. The juiciest, however, is definitely Benedict Cumberbatch's character. I don't mean the slightly clichéd transformation into a saviour, but especially in the first half his arrogant and self-centred doctor is very entertaining and wholesome. An alternative, lighter, less bellicose addition to the comic universe, something similar to what Ant Man attempted. ()

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3DD!3 

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English Strange. I mean strange and great. An excellent origin, focused on a simple, but gripping story of how an arrogant atheist drops a comb, travels to Nepal and begins to save the human race as the most powerful sorcerer in the universe. What helped him was his photographic memory. Everything of course is terribly fast, so the two or so hours are over before you know it. Maybe it’s also because the main theme is time, my favorite guide. Those keeping track know that the stone that controls time that Thanos needs in his glove had not been introduced yet, but Scott Derrickson dealt with that problem excellently. It doesn’t turn it into a MacGuffin, but simply another instrument in Dr Strange’s trembling hands. Benedict Cumberbatch put on a solid performance, slightly different than from how we are used to him and almost unexpectedly pleasant. Don’t forget that he plays a greedy, self-centered bastard. The supporting characters apart from the terrifying Tilda Swinton were not given much room. Mordo makes just a fleeting appearance, Wong is here for fun and the lack of room for another villain is made up for a little by the best side-kick in the entire Marvel universe – a smart red cloak that everyone would like to have. It’s also a cracker visually, especially thanks to Nolan’s Inception and Interstellar, whose tricks were upgraded by Derrickson to create several more universes inside the… ehm … multi-universe, à la Pink Floyd LSD trip, heavily supported by Giacchino’s music. Even Dormammu turned out right. – And who are you, sir... - Doctor. – Doctor…? - Strange. – It seems strange to me too. ()

gudaulin Boo!

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English The unfortunate thing is that Doctor Strange is essentially innocent in all of this. Derrickson tries his best what he has, and the actors - and there are quite a few stars among them - want to earn their salaries. However, Marvel's is at the very bottom of my film preferences because the films are simply too stupid and childish, bombastic and artificial. In essence, there is no title from this studio to which I would give more than one star, and Doctor Strange suffers from the fact that it accumulates an unhealthy amount of other elements I dislike, such as Eastern mysticism and magic in general. The only title that somewhat enjoyed due to its civilian style and pleasant humor was the Spider-Man series, but it is telling that it was created under the Columbia Pictures label, with Marvel Movies only participating. I came across this particular film on TV by chance and I just wanted to get an idea of what the Marvel phenomenon entails and it only confirmed all my old prejudices. Overall impression: 10% for the cast. ()

DaViD´82 

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English It cannot be denied that, in contrast to the other interchangeable marvel movies, this is distinctive in its own way (however borrowed from Batman Begins/Inception). The problem is that in the second half, all cast that is precisely chosen to match the characters on which the movie is based on until this moment, is simply thrown away. Strange from being no one becomes a super master overnight, Christine disappears as if she was from catering crew and not the main female character (and the motivation of the hero), Mordo disappears in the middle of the sentence, it's event pointless to mention the villain. Well, just for the sake of the compositionally excessive effects for the sake of effect it is losing direction in those mirror worlds in the same way a fly would get lost in a mirror maze. In other words, as much effective as it is (and it's quite effective), as little it’s effective at the same time. And in this case, it's actually quite a pity for the Marvel movie. ()

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