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Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions - Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school. (official distributor synopsis)

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Reviews (17)

Pethushka 

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English A divine fairy tale with tons of jokes, built on a great idea and great characters. The entire movie theater was laughing, the children were breathless, here and there a child whispered that he was scared, there was a conspicuous silence during the sad scene with the elephant, and finally everyone was breaking out in laughter again. I even felt as if someone had finally explained my behavior and that of all the people around me, and as I watched, my emotions clearly led to glowing joy. And maybe I was just getting manipulated inside my head, but I think this was one of the best cartoons I've ever seen. So everyone grab the kids and run to the movies to clear your head. And if you don't have kids, borrow some. And if they won't let you have them, go yourself, because this is worth it. 5 stars. ()

Stanislaus 

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English Inside Out is definitely one of the most original animated films of recent times - there are very few films with such an idea and execution. I liked the portrayal and behaviour of the individual emotions, each of which had something to it. In fact, the entire content of (not only) Riley's head was thought out with the greatest amount of imagination, from long-term memory, to imagery, to forgetting. The film managed to evoke both "joy" and "sadness" in me during those ninety minutes, which just goes to show that there is no sadness in life without joy, and vice versa. After all, the remaining emotions (Fear, Anger and Disgust) are part and parcel of each of us and it is important to keep them in balance. The funniest scenes were the dream factory, the insight into other people's heads, and the recurring Triple Dent commercial, while the line with Bing Bong managed to really move and rode a rather sadder wave. All in all, this is a very well done piece of animation and storytelling that rightfully deserves both thumbs up, while managing to appeal to audiences of all ages. ()

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lamps 

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English Inside Out is clear proof that the people at Pixar still have their heads in their place. The level of humour may not be what we are used to in some of their best films, but the sophistication and visual imaginativeness of the world inside our heads easily triumphs, creating an original animated experience where the joy and sadness of the gradual discovery of a unique world basically carry everything on their shoulders. Plus some really great jokes (the jingle from the commercial, the end credits...), which in turn bring back clear memories of Pixar's peak :) The best characters for me are the "sidekicks" Rage and Fear :)) 85% ()

novoten 

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English A thrilling and nerve-wracking chase driven by a million-dollar idea, which propelled it forward. That alone would have been enough for a dazzling experience, if it weren't for Riley and her emotions taking it even further. The day after seeing it, every last one of us wakes up and ends up wondering who's currently running your head. At that moment, everything falls into place, and the second layer starts to work, where each plot chapter has undeniable significance. In the end, Pixar is reaching for immortality, because there will always be so many vulnerable and hurt teenagers everywhere. ()

J*A*S*M 

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English Unfortunately, I don’t share the surrounding enthusiasm. You can’t deny Inside Out’s brilliant core premise, which could be the basis of something truly exceptional and ambitious. The playfulness and creativity can’t be denied, either; the film is full of interesting visual ideas, gags, whatever (the switch to other heads). But everything around that, though effective, is just ordinary and predictable. ()

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