The Lobster

An outside the box romantic movie set in a weird world with weird rules. An amazingly inventive screenplay. Farrell proves again that he is an acting chameleon, his minimalist creations dominating the picture. The tempo is purposefully slow, which doesn’t matter at the beginning, but the sleep syndrome kicks in half way through and doesn’t leave you till the eye operation. A good taste of the bizarre which might benefit from a more rapid tempo and a few explanations. (04/17/2017)

Orwell style black-humorous romantic satire ... Bizarre? Definitely. Unique? There´s no doubt about it. Refined? Not even close. The first hotel half is incomparably better the second forest part, which is ruined mainly by the non-existent chemistry between the central couple that is "despite everything" very much in love and by the fact that it all fades away (and no, I do not mean the final scene). And now something completely different. (03/12/2016)

(50th KVIFF) One of the three best films I’ve seen in the Karlovy Vary Film Festival this year. A story about a totalitarian world where people must be paired, otherwise they are turned into the animal of their choice. David, the protagonist, has been left by his wife and for that reason he’s been taken to a Hotel were he’ll have about 45 days to find a replacement. After an unsuccessful attempt to pair with an insensitive woman, he escapes to the forest where he joins the Loners, a group who doesn’t acknowledge the rule of pairing, in fact, they observe the extreme opposite and punish any sign of courtship and love. A bizarre feat by bizarre Greek director Yorgos Lanthimos, who already has surprised with Dogtooth and disappointed with Alps. I believe I can say with certainty that The Lobster is his best film so far. The sci-fi label is a bit misleading, the process of turning people into animals is not addressed, it’s simply the portray of a perverted totalitarian regime with ridiculous rules, the breach of which is punished in a ridiculous way; where people have lost their humanity, speak like robots, follow ridiculous rituals and make their decisions based on ridiculous criteria. The film is told in a very detached way. The events are told by a narrator and the characters themselves in a distant and laconic manner. In particular, the first half, which takes place in the Hotel, is brilliant. Lanthimos gets all the juice out of the premise and creates one unforgettable scene after another (by the way, the film is incredibly funny at times, if you are into that thing). But it looses some of its strength when it moves to the forest and the group of Loners. It begins to squeeze into the disturbing satire the development of the secret (and not so interesting) relationship between Farrel and Weisz, which doesn’t mean that the second half is devoid of excellent scenes. 90 % (07/11/2015)

Except for a few festival crap shows, I never left the cinema before the closing credits. Until The Lobster. It was clear after twenty minutes that I wasn't on the same wavelength as the film, but I hung on for another half hour. That's all I could do. Overwrought drivel full of awkwardly declaiming actors, dysfunctional humour and romance, and a tragic attempt to pretend it is something more. I give that one star to the actors, most of whom I like quite a bit and felt sorry for. But Yorgos Lanthimos goes on the blacklist. And I’m buying a beer to whomever makes sure Johnnie Burn never composes music again. (06/05/2016)

I don't know if master Lanthimos, who wrote one of the most bizarre scripts we've ever seen on the silver screen, was the only one on drugs, or if it was also the actors, led by the soft-spoken Farrell, with the most bizarre role of his career. But who really cares when this emotionally ungraspable yet romantic, visually austere and static yet compelling sci-fi flick somehow works and is pieced together with exactly the right carefully chosen essences to maintain its unique face of a confident auteur film from the first to the last second. If it had been given a slightly more sinister and less parodic look the fanatical totalitarian system, and if it could evoke more sympathy for the weird characters, it could have been one of the most interesting independent films of recent years, but as it is, The Lobster is just a passing speciality for festival and arthouse audiences... 75% (12/31/2015)