Predator

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Sent to eliminate a gun-running camp in Central America, United States Major Dutch Schaeffer and his commandos get more than they bargained for when they cross paths with a mysterious assassin. As members of their unit begin to disappear, Dutch, Dillon, and Blain conclude that whatever is hunting them is not of this earth. Every attempt at a tactical defense is a defeated for Dutch and company and it is only in the last stretch of their race to safety that their suspicions are confirmed and they encounter the alien nimrod face to face. (official distributor synopsis)

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Reviews (13)

Lima 

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English John McTiernan brilliantly portrays the fear of unknown danger. Even the scene of the massacre of the camp, although I'm not too keen on it, has its place. The viewer is surprised that this bunch of supermen who can easily dispatch an overwhelming number of mercenaries, have to bow down to a mysterious evil. And the ending, Arnold with the resources of a Stone Age hunter fighting a stronger predator, is a treat. Together with Conan the Barbarian, this is Arnold’s best movie. ()

lamps 

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English Plain and simple: fucking perfect. I rewatched Predator after a long time and I realized that it belongs to that proud group of my beloved cinematic works from which I would not remove or add a single frame. Without a doubt, this is the most masculine film in history, where tough guys first dish it out loudly to declaim their fearlessness, and then get their asses kicked in a way I wouldn't wish on perhaps a cancer cell on my most sensitive body part. And it ends with the most thrilling one-on-one fight, where a man in the face of a real monster accepts its rules and, as a hunter from ancient times, adapts to the conditions of the surrounding wild nature. Bad Ass Arnold is unbeatable as usual, but the biggest stars here are definitely Alan Silvestri, whose soundtrack is an amazing embodiment of suspense and confrontation with the mysterious evil, and director McTiernan, who shot the whole story without a single stumble and staged so many iconic moments that no sequel will ever be able to top this original (I single out the mass "shootout" scene with the invisible enemy, which is one of the funniest of the entire 1980s for me – I can see it five times a day, but I will never tire of Arnold's face as he shoots into the void for a minute). 100% ()

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3DD!3 

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English One of the movies I grew up on. A captivating atmosphere augmented by Silvestri’s music, an invisible, mysterious and cunning enemy and a team of soldiers led by Arnold Schwarzenegger, who in 1987 was enjoying his best years (and me too, in fact ;). A classic. I still have a VHS cassette with German dubbing and a simultaneous Czech translation. ()

Kaka 

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English First-class and now deservedly legendary action movie, whose director managed to get the most out of the minimum. But that was back when John McTiernan still had form and didn't direct nonsense like his last few outputs. Predator has all the attributes that a proper action movie should have: tough heroes, a merciless killer, gripping atmosphere, excellent use of the harsh nature, which with the help of solid camera work often instills fear even without the direct presence of the hunter. And last but not least, there is also the great Arnold, who is tougher than the whole terrorist camp combined. A milestone that became a classic of its kind a long time ago. ()

Isherwood 

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English I watched Predator again after about ten years. I can state without exaggeration that this film is more perfect than I thought. Even after all these years, a group of tough mercenaries hunted by an alien skull hunter captivates with a perfect atmosphere that benefits especially from the creeping voyeurism of the camera and Silvestri's unnerving music. Keeping a firm hand on all this is director McTiernan, who was one of the absolute best in the action genre in the 1980s... and went crazy in the 1990s. ()

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