I, Tonya

As excellent as the performances are, the true star of the film is Gillespie, the director, who managed put together a boisterous story with motivations that cannot be fully understood and where you don’t really have anyone to root for due to the moral ugliness of all the characters, and he did it in such an energetic and coherent way, comparable to Martin Scorsese at his best. I can’t remember any other film where I enjoyed so much the retrospective structure supplemented by the narration of the participants, all complemented with “Soderbergh-like” breaks in the shape of the remarkable soundtrack, on which the staging of many scenes depends, or the sudden time jumps for the sake of more striking twists. Under this barrage of great ideas and interesting (though awful) characters, it almost doesn’t matter than the runtime could have been shorter and the secondary plots better resolved. A welcome breath of fresh air to the stereotypic Academy shelves, it’s a pity that Margot didn’t get there, too. (02/27/2019)

It's hard to see such a wonderfully brisk, energetic and above all entertaining biopic, and the almost Coen-like humor suits this real, yet barely believable story immensely. The same can be said of the soundtrack, which almost perfectly underlines the dynamics of the narrative. The American figure skater Tonya Harding grew up a poor redneck with a psychopathic mother and a father who ran away from them. Her childhood was simply unhappy. Probably for these reasons she didn't look very feminine on the ice, but she was an excellent jumper of her time. I have to admit that Margot Robbie in the title role and Allison Janney as the tough mother really got under my skin, playing their roles so convincingly. (95%) (03/21/2023)

Quite an interesting story of Tonya Harding, and the only reason I watched the film is because I like sports dramas where the underdog kicks everyone’s asses. The opening met my expectations and I wanted to praise the excellent Tilda Swinton as the mother, but now I realise it was actually Allison Janney, well never mind she was perfect and to remove her after half an hour is a reprehensible mistake. That's like someone removing J.K. Simmons from Whiplash, without him the film definitely wouldn't have gotten the recognition it has now. As for Tonya herself, unfortunately there's not much skating, the rivalry is mostly nonexistent and she performs the same tricks over and over. The film focuses more on her personal life and her relationship with her husband, which at times was reminiscent of The War of the Roses, but I wasn't really interested in that. Pros: Margot Robbie and Allison Janney both solid, an interesting story. Cons: slow pace, humour only in the first 30 minutes then absent, lack of skating and o an intense finale like in Borg vs. McEnroe, for example. 6/10. (02/23/2021)

The true face of America. I, Tonya skates along the borders between drama and comedy, but there is more truth in her story than it seems at first glance. A comedy about simple rednecks slips into a cruel family drama at unexpected moments and works with truth as it suits (parrot on the coat, shooting at the husband). The acting is super in all cases (particularly the mom is priceless), but Margot is plain fantastic and I think she deserves an Oscar. The American Dream inside out. I think that you really should kill yourself. (03/04/2018)

This biographical character study featuring well-developed characters is interesting due to the contrast between the protagonist’s redneck nature and the refined world of figure skating, which is everything for her. The world from which she came and the crowd that surrounds her (and that she has chosen for herself) produce drama worthy of a genre movie, event though no lives are put in danger. Great actors, engaging athletic performances. (03/04/2018)