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From filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter, a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation. (Searchlight Pictures US)

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NinadeL 

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English The current hit by Yorgos Lanthimos, nominated for an extraordinary number of awards, is based on Alasdair Gray's book "Poor Things: Episodes from the Early Life of Archibald McCandless M.D., Scottish Public Health Officer" (1992). Gray is often compared to James Joyce, and that is why it is so easy to succumb to the impression of Lanthimos' genius, whose contribution, however, lies only in the combination of Gray's pseudo-Victorian novel with Frankenhooker (1990) by Frank Henenlotter. I perceive many other references, whether it's Freaks or Elephant Man, but the whole is an exceptionally charming pastiche. There is no need to elaborate on the magical performances of Emma Stone, Mark Ruffalo, Willem Dafoe, Hanna Schygulla, and Margaret Qualley because it must have been a joy to work on such a creative film. Mary Shelley would surely be thrilled. ()

Filmmaniak 

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English Poor Things is Yorgos Lanthimos’s most extravagant film yet, and that’s saying a lot. One of the most distinctive contemporary filmmakers properly broke free of his chains and, furthermore, had a lot of money to bring his far-out visions to life. The result is a complex, impertinently entertaining and bountifully bizarre comedy with a Frankenstein motive about one woman’s emancipatory journey to get to know the world and herself. A woman with the body of an adult and the mind of her own unborn child, whom we follow through a narrative arranged in chapters during her travels around Europe, as she breaks every conceivable social convention, gradually tripping up the patriarchy and finally putting a knife in its back as she undergoes complete accelerated development from a curious toddler to a naïve adolescent to an eloquent intellectual with her own clear opinion on the state of things. With its intelligent dialogue, well-thought-out concept, topical subject, intoxicating visuals, gripping acting performances, devilishly morbid ideas and a lot of nudity, Poor Things is like a fine wine. Oscar nominations are inevitable. ()

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D.Moore 

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English It has been a long time since a performance has captivated me as much as Emma Stone's here. I was cautious, because Yorgos Lanthimos's The Favourite didn't impress me as much as the rest of the world five years ago, and yet at least on the surface it seemed like a relatively normal film. Poor Things isn’t like that, it was immensely enjoyable from the opening scene. Victorian surrealism, strange scenes alternating with stranger ones, and gradually everything starts to make sense, but you still have no idea where it's going. I'm sure the film is brimming with all sorts of psychological and philosophical meanings; double, triple and multiple meanings that can be gradually revealed, but aren't necessary. It can stand without them and conveys its message easily to everyone, however bizarre the story and its protagonists are. ()

DaViD´82 

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English Karel Zeman for the 21st century, or the emancipation of the Bride of Frankenstein through an original "porn satire" that manages to cut to the quick again and again; sometimes literally. Emma Stone gives such a masterful performance that if I were her husband, I wouldn't be doubly sure if she doesn't top it at home as well. ()

Goldbeater 

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English The Daughter of Frankenstein and her emancipatory odyssey across Europe and the Mediterranean. Once again, Yorgos Lanthimos presents us with a fragment from a twisted fantasy world, but one that bears more parallels to our own than one might first expect. The story focuses on the development of the character Bella, who is brought back to life after death by a peculiar scientist, whereupon, with the brain of a child, she learns about the world and gradually develops in all directions, even those that could be described as taboo. Emma Stone gives a masterful performance, and her character packs on more and more layers as the minutes pass until the triumphant finale. This engaging, visually extravagant and humorous film about the journey of an original protagonists of real-world discovery and gradual emancipation will definitely not bore you for a moment. ()

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