Dogma

Just slightly above average entertainment that isn't afraid to poke fun at God himself (He's a woman!!) or Jesus (a black man with siblings). Some of the ideas were really great and I laughed a lot, but the conclusion of the story was bland and quite boring at best. I was going to give it 3*, but for "Silent" Bob and especially for Alan Rickman..... still 3* :-D (01/27/2012)

"Dogma" is not one of my favorite Kevin Smith movies, but thanks to the good characters - Jay is great here and fits perfectly with Silent Bob - it is bearable. I like how Smith tackles religion, focuses on certain aspects, and above all, he is right. The story itself didn't really captivate me, but the dialogues are simply good. Again. (03/20/2015)

Damon is simply great and Affleck landed perhaps the best role. Smith admirably mixed a religious movie with a comedy about junkies without it being at all disruptive. Even though the movie is over two hours long, it flies by quickly and never a boring moment. Thumbs up, but not right up to the skies. (12/28/2010)

A hilarious Kevin Smith religious romp that abounds with excellent casting and occasional (un)expected outbursts of violence. If it's satire, it's really only a little bit, more likely just another Kevin Smith comedy with lots of unexpected revelations and life wisdom. Any allusions to religious beliefs here are merely used by Kevin Smith for his purpose, and it has to be said that he does so rather humorously most of the time. "No ticket." [75%] (08/20/2022)

My first, funniest, and dearest Smith film of its time hasn't lost any of its comedic cadence with the passage of time. However, my perspective is a little different given the rest of the director's films. Smith pushed aside his personal views on pop culture and took on church dogmas, whose frequent inflexibility to the current state of society is blatant. It violates them all, makes outrageous fun of them with the help of the most tasteless humor, and yet it is so purely its own, absolutely funny, straightforwardly accurate, never for a moment stooping to awkward variations (hello The Da Vinci Code). This makes Smith’s most mainstream (not counting Jersey Girl) film into a damn polished flick that, while its edge is not as perfectly honed as the rest (neither in terms of humor nor sarcasm), is still supremely entertaining. (08/19/2007)