The Three Musketeers: D'Artagnan

A fan of historical big movies should not hesitate to go to the cinema. A French adaptation of the famous classic by Alexandre Dumas has arrived and I would say it is also the best to date. The huge budget is evident, the beautiful locations and settings are a delight and the best French stars are available: Vincent Cassel, Eva Green and Francois Civil. There are slight changes to the original story, so it's not an exact copy, but they are minor deviations that I welcome warmly. The new adaptation is without a doubt grittier, more action-packed, dirtier and darker. I was most impressed by the action shot in one take, which fits perfectly and is intense enough. I can't recall better filmed sword fights from other films. The finale in particular can lean on the attractive cathedral setting and the decent chaos that erupts there is delicious. All the actors do a good job and even the non-action passages where political intrigue builds up are entertaining. Certainly the film is also suitably suspenseful and atmospheric and visually impressive. I look forward to the second part. 7.5/10. (04/11/2023)

This is my third encounter with the immortal classic after The Man in the Iron Mask from the 1990 and the somewhat overdone Paul W.S. Anderson adaptation, but I have never read the book, so I can't blame filmmakers for their faithfulness to the source material or lack thereof. After watching this film, however, and considering that the story of The Three Musketeers is split into two films, you can sense that they took care in this regard. As this is a notorious story, the film offers no big plot surprises, but it does offer solid adventure full of action, intrigue and well done fights – the "bloody" wedding or the chase on the cliffs really had some serious moments. I'm curious to see what the sequel will bring, which will give more space to Eva Green, who is perfect in these demonic creatures. (04/13/2023)

This successful adaptation of Dumas's classic slightly updates the famous story and relies on great action scenes, beautiful sets and a charismatic cast. It completely omits humour and plays on a serious note, and it mostly works very well. Unfortunately, Martin Bourboulon doesn't quite manage to sell the more intimate scenes and dialogue, and towards the end it feels like he's bitten off too big a bite; the finale, however impressive, is a bit too much. But despite these problems, this is a highly above-average adventure flick straddling the line between old-school and modern filmmaking. (04/10/2023)

Gone are the saturated colors and boisterous choreography of Lester’s classic version. Bourboulon has his protagonists rooting around in the dirt and mud, D'Artagnan literally in the first scene. The humor is also gone, but that doesn’t mean that the trio, which is actually a quartet, lacks distinctive wit and charm. The cast is good, the sets are properly shabby, the costumes are dirty and the plot is rife with intrigues. The deviations from Dumas are defensible and it’s apparent that this new adaptation wants to bring more behind-the-scenes scheming into play and somewhat sideline the love motifs, which is fine. It’s a shame that some of the plot shortcuts have slightly confused logic, but after a few doubts about whether all that Protestant fun below Paris is only a needless digression, the feeling that everything can be made into an excellent spectacle in the sequel ultimately wins out. In the end, I'm bothered only by minor issues with the film, mainly the fact that Richelieu is an expressionless character. But everything else works. The one-shot action replaced the playful choreography with physicality and the musketeers soon settle into it.  A very respectable contribution to the Dumas canon! (04/18/2023)

In the future, on a repeat, I'll always prefer Lester's Musketeers anyway, because it has enough juicy popcorn to feed all of Nigeria, it doesn't skimp on the humour (which is almost absent in this French version) and the vivacious Michael York is like the finest wine as D'Artagnan. On the other hand, I like this French unpolished concept. Especially the magnificent production design! Muddy, unpaved, sandy streets, men sweaty and dirty (and with yellow teeth ), when, as we know, hygiene was a priority in the 17th century, even among the high classes, and the camera with muted colours adds a lot to that realistic impression. And what can we say, cherchez la femme Eva Green is after all a sexier milady than Faye Dunaway. So actually, when I sum up the comparison, I come out with a tie, and that's not a bad mark at all. (11/10/2023)