Coraline

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Coraline Jones is a girl of 11 who is feisty, curious, and adventurous beyond her years. She and her parents have just relocated from Michigan to Oregon. Missing her friends and finding her parents to be distracted by their work, Coraline tries to find some excitement in her new environment. She is befriended--or, as she sees it, is annoyed--by a local boy close to her age, Wybie Lovat and visits her older neighbors, eccentric British actresses Miss Spink and Forcible as well as the arguably even more eccentric Russian Mr. Bobinsky. After these encounters, Coraline seriously doubts that her new home can provide anything truly intriguing to her, but it does; she uncovers a secret door in the house. Walking through the door and then venturing through an eerie passageway, she discovers an alternate version of her life and existence. On the surface, this parallel reality is similar to her real life--only much better. The adults, including the solicitous Other Mother, seem much more welcoming to her. Coraline is more the center of attention there--even from the mysterious Cat. She begins to think that this Other World might be where she belongs. But when her wondrously off-kilter, fantastical visit turns dangerous and Other Mother schemes to keep her there, Coraline musters all of her resourcefulness, determination, and bravery to get back home--and save her family. (official distributor synopsis)

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Reviews (11)

Marigold 

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English A very pleasant island of stop motion imperfection in a sophisticated flood of silicon superhumans. Beautiful animation further enhanced by the 3rd dimension, very poetic decadent drollery and a very nice atmosphere. It's unfortunate that the musical accompaniment does not captivate as much as Elfman's songs once did. Coraline is more infantile than Burton's work and it doesn't have the sharp verbal humor, but despite all the plush, it is able bite nicely. I had a great time. [85%] ()

Isherwood 

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English The film features an Alice theme, a script for a short at most, and Selick's eccentric fantasizing. After half an hour it simply doesn't do anything and comes ever closer to the desperate cry "Let something start happening, for God's sake!" Ironically, what I enjoyed the most was Dakota, who intones perfectly and literally "acts" in the vocal positions of a nasty brat, a scared little girl, and a brave girl. The rest of it was terrible and didn't even need the assistance of Tim Burton. ()

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lamps 

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English I was a bit worried when the film was slower to start and visibly tried to engage my imagination and some of my patience with its story, but after a few minutes the doubts were successfully erased and I became increasingly satisfied with the final form. Sure, it's no Miyazaki, it lacks Danny Elfman's catchy compositions and the story doesn't sound particularly likeable, but there's still the charm, the imaginative idea and the very original execution, which is always the most important thing in animation. The Oscar nomination, in my opinion, is well deserved and pretty much says it all. ()

Necrotongue 

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English It’s been a while since I last watched an animated film, and I was quite pleasantly surprised by this one. It wasn't exactly a masterpiece worth a five-star rating, but the animation was great. I really enjoyed the dark, almost horror-like atmosphere, which was strongest in the last third, but it had seeped out here and there even earlier. To be honest, the atmosphere could have been even darker. I wonder what the film would look like if it had been directed by Tim Burton. I'm sure it would be right up his alley. Either way, the story kept me entertained, and it did give me a chill from time to time. If you want to give your kids a good scare, make a little fake door in the wall, have your kids watch this film, and have a lot of fun while consoling them from their nightmares. Coraline definitely ranks among the better animated films, and I'm not opposed to rewatching it sometime. I'm glad to see that filmmakers are still making nightmare fodder for kids. / Lesson learned: It can always get a little worse. ()

DaViD´82 

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English Selick’s Caroline, sorry, Coraline lacks one thing. And that is the “button phobia" which, unlike in the book, never sets in. Maybe it’s because I don’t share Selick’s vision as a whole. It’s not nearly dark enough. There’s nobody quite like Dave McKean. This Coraline is an excellent animated movie, but nothing more. But the potential for more was here. ()

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