Equilibrium

A slightly schizophrenic mix of 1984, Fahrenheit 451, Minority Report and The Matrix. Some may like it, but it doesn't work together for my taste. The beginning was promising, though, an oppressive vision of an Orwellian society, with the excellent Bale as a cleric discovering his feelings. It had atmosphere, it had depth, but as time went on it became more and more of a mess, kept afloat by the few scenes of Bale and Emily Watson together. I wish Wimmer would make a proper action flick next time, because the final action sequence was excellent. PS: My wish was granted 4 years later, unfortunately. (09/20/2003)

Equilibrium is a sort of hybrid trying desperately to please. It would really like to be a philosophical sci-fi reflecting (not only) current affairs and at the same time eye candy full of cool things for the younger generation. In the first case, this effort leads to lame and smart sounding literality that’s enough to make you sick. There is not one originally presented thought here, or rather it has no thoughts at all. Fahrenheit 451°, Brazil and A Clockwork Orange can all continue to sit of their pedestals in peace. In this respect the creators really lost it. On the other hand, the action part works pretty well. If you take into account the movie’s low budget. Christian Bale is the only one holding everything together here with his charisma that also manages to hide his uninspiringly written character. So this is no second Matrix. Just a barely average B-movie playing hard to be something more than it is. And I don’t like that. (11/15/2007)

The cult status of Equilibrium has indeed remained a bit of a mystery to me, because this film cannot deny its B-movie aspects even through a poor visual aspect, which in some passages literally stinks of a cheap action film, or with the script, which does develop a very interesting totalitarian Orwellian-Bradbury plot, but at the cost of cheap twists and not very convincing replicas. Even the choreographic aspects of Equilibrium cannot match the brilliance of The Matrix, the futuristic martial arts only look good in certain moments, while sometimes it looks like an excessively accelerated pub brawl. Kurt Wimmer really isn't a great director, and the strangled budget certainly didn't help him much, so his film gives off an uneven impression, cheap moments alternate with successful ones, and good pictorial compositions are alternated by crap. I liked Christina Bale the most in the main role. He does not dazzle, but he plays his role with an overview (albeit without Reeves charisma). Overall, Equilibrium seemed to me like a promising sketch, walled up by overly flashy B-movie crayons. (01/07/2007)

I'd take those nifty sleeves and pockets, too... What would the world be like if we couldn't feel? Like this? Better? Worse? Would it even be at all? No, I don't want to know. I feel. You feel. We feel. And that’s how it will be as long as the last person breathes. A very beautiful film. Makes me think a lot – once the credits start rolling, that is. Otherwise, I enjoyed the spectacle throughout. The shooting and the hidden emotions. I hate strict regimes; that is, unless they're breaking down. (05/25/2008)

Typical case of a movie where the opinions of film critics and fans sharply diverged, immediately after its release it had, I guess, 80% rating. I really liked it on the screen. After leaving the cinema, I would give it 75% overall impression, but I am convinced that upon the second viewing it would go down by about 15%. With this kind of movies, it's like when you meet a charming girl and on the second date she comes without makeup... Decent performances and tricks, visually it's polished, but the screenplay and the level of dialogues - not impressive. (05/04/2007)