Directed by:
Martin CampbellCinematography:
Phil MéheuxComposer:
Eric SerraCast:
Pierce Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen, Joe Don Baker, Judi Dench, Robbie Coltrane, Tchéky Karyo, Gottfried John, Alan Cumming (more)VOD (3)
Plots(1)
Armed with his license to kill, James Bond (Agent 007) races to Russia in search of the stolen access codes for "GoldenEye," an awesome space weapon that can fire a devastating electromagnetic pulse toward the Earth. However, Bond is up against an enemy who anticipates his every move: Alec Trevelyan, a.k.a. Agent 006, a mastermind motivated by years of simmering hatred. As Bond squares off against his former compatriot, he also battles Trevelyan's stunning ally, Xenia Onatopp, an assassin who uses pleasure as her ultimate weapon. When the horrifying extent of Trevelyan's plans is revealed, Bond must call upon his sharp wits and killer instincts in a deadly confrontation. (official distributor synopsis)
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Reviews (11)
The new Bond concept is decent. Campbell serves up some ethereal action that gives the agent a respectable coat. Unfortunately, it loses steam in building the dramatic arc, and thus the plot drags on for a long two hours. But who cares. The Soviet Union fell, leaving Bond a respectable legacy. The new era demanded a sharper dose of action, which GoldenEye fulfills to a tee, and I enjoyed that tank in St Petersburg more than anything I've seen in a long time!
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GoldenEye is a colorful, spectacular Bond movie packed with great action and sexy women. And an excellent cast. There’s no trace of the traditional Bond atmosphere of the classics starring Sean Connery, but I don’t have a single complaint in terms of its entertainment value.
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Brosnan’s and my first Bond. Back when I was a nine or ten-year-old squirt, I liked seeing 007 demolishing Russia in a tank, using a watch to drill holes in the floor, reeling out one perfect line after the next. And you know what? I still like it. That’s one thing that hasn’t changed and probably won’t change. And it stands to reason, Martin Campbell is simply good at Bond movies. He began with GoldenEye and then brought Bond back to the top with Casino Royale and that deserves some recognition. As a bonus, we see my personal favorite BondGirl Famke Janssen, ravishing, unhinged. I have a soft spot for her.
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Fresh and energized Brosnan demolishes the city with a tank, Sean Bean delivers one crushing line after another, and Famke Janssen's iron grip forces nervous squirming in the seat. GoldenEye is already twenty-five years old, but it still remains the essence of everything that made me (and many others who grew up in the nineties) become a fan of 007 and open up another area of film history.
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With a budget of 58 million USD, it is not nearly as eye-catching as the more polished and doubly expensive parts that followed. However, as a kind of basic building block it’s alright. It is still the first groundbreaking “modern Bond film”, even though it seemingly lacks the twists and changes that the previous License to Kill had, at the same time it is not nearly as controversial an addition to the series as its predecessor. Pierce Brosnan is okay, essentially blending all the previous protagonists together, with the closest resemblance to Roger Moore’s nonchalant gentleman. The action is robust, although it has its gaps.
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