Ant-Man and the Wasp

Ant-Man is a bit second tier in the Marvel universe, but purely feeling-wise I’m a bit more satisfied with the resulting product in many aspects than I with the A-list blockbusters about destroying the world in a number of ways. It's more intimate script-wise, emotionally lighter, and at the same time fresh and mostly funny. An exceptional Marvel movie with a good script that is full of twists and turns, but at the same time the core makes sense, without any twists pulled out of thin air. Bombastic visual effects that culminate brilliantly in the most breakneck action scenes, but the digital rejuvenation is good too. It’s still mass-produced stuff from the M brand, but it’s watchable, at least once. (10/10/2018)

Ant-Man is one of the few films in the MCU that can be watched as an independent comedy almost without losing its shine. The second film is also enhanced by the return of Michelle Pfeiffer to comic films (everyone is still bowing down to her Catwoman from Batman Returns), and this is also the first time Michelle and Michael Douglas meet on screen, something that people have been awaiting for three decades. As the cherry on top, film connoisseurs may be warmed by the knowledge of a romcom in which Paul Rudd dates Michelle (even though there is an 11-year age gap between them). I recommend that people go and re-watch I Could Never Be Your Woman. (12/28/2018)

Hamster in a Nightshirt 2! Great family entertainment, made more special with quantum fun. The story picks up from part 1 with a detour to the Civil War. The action is more impressive, enlarging and shrinking things plays a larger role this time. The chase around San Francisco is seething with ideas. The Wasp gives a better performance than Ant-Man himself. It is set immediately before and during the Infinity War, but it reveals nothing new, which is a bit of a shame. They stole our damn lab! (07/04/2018)

Very nice and a big surprise for me. Ant-Man hasn’t changed, doesn’t give a crap about the fatefulness the Avengers and offers an enjoyable ride that manages to work with many characters, always keeping itself together, even though the humour is repetitive at times and the action is so cheesy that it’s almost pointless to root for the heroes. In terms of style, it’s nothing earth shattering, but Reed has a lot of entertaining ideas up his sleeve, the heroes are all great (as are their actors), the narration escalates well connecting all the four subworlds in a sensible way. I really had fun and I don’t feel guilty about it. (10/29/2018)

With its confident approach, better team dynamics, and the abilities of the main hero expanded by a hair better than the first installment, it is also surprisingly a strong part of the whole universe. Given that it has not deviated from its heist schemes, family pathos, or even purely physical comedy, Scott Lang himself (and now perhaps Hope van Dyne) is an easily fitting piece of the puzzle that can shine on its own. (07/07/2018)