The Fountain

The work, which completely defies any categorization or evaluation. What I saw is indeed a masterpiece, which is unique and will probably remain so forever. Darren Aronofsky created a work that redefines cinematography and that the current audience is not yet prepared for (as evidenced by minimal box office receipts in the US and a disastrous distribution strategy here). You can take The Fountain as a captivating romantic drama about sacrifice, help, and hope, as a charming philosophical work that, however, does not try (as some mistakenly believe) to find the meaning of life, but shows the path to immortality and in the end, you can only look at it as a brilliantly directed, wonderfully acted, and fascinatingly music-accented experience. In a few decades, future generations will envy us that we could see it in the cinema and finally appreciate it. (04/12/2007)

A visually stunning spectacle with a perfect music score. The Fountain is a beautiful film whose main idea is not hard to grasp, but if I want to fully understand the story itself, I will have to watch it at least once more. Hugh Jackman and Rachel Weisz (who here looks almost supernaturally beautiful) deliver excellent performances, as does Aronofsky in the director’s chair. I’m going to get Pi and Requiem for a Dream… (09/05/2008)

Compared to Mother!, I didn't like The Fountain that much, but it is still an interesting and unconventional film that intrigues, but doesn't really blow your balls off. A great Hugh Jackman and a beautiful Rachel Weisz, biblical references, great scenes with the Mayas, nice imagery and decent art, but I found it a bit drawn out even at 90 minutes. It's not my genre, so a neutral three stars radiates rather satisfaction. 65% (11/08/2017)

The Fountain is a look at three parallel fates that intertwine and diverge, all of which ultimately result in the final recognition and discovery of the truth. Darren Aronofsky was, is, and will continue to be an expert on the intricacies of cinematic plot, and The Fountain is another prime example. All three stories intertwine so strongly and yet so easily that sometimes you don't notice where you are at first. There are a number of issues being dealt with here, with the question of life and death standing out above the rest. In terms of direction, this film is quite solidly handled, and I must also single out the great cinematography (which is characteristically strange for Aronofsky's films) and virtually all the visuals, from the effects to the editing to the production design. And last but not least, the likeable leading couple of Hugh Jackman and Rachel Weisz, who had great chemistry. In short, a film that will probably ring true in different ways for each of us at the end, but in terms of quality, it's an above average affair. (04/30/2011)

A complex philosophical allegory? Only in appeareance. An easy key to understanding it is Aronofsky's experiences in recent years and his fears about the death of loved ones. The Fountain is a powerful account of coming to terms with mortality, nicely mixed with a powerful love story. And for viewers who don't give a damn about a statement, The Fountain is an almost meditative and visually sophisticated piece of work, and to fully appreciate it, you need to be in a meditative mood, watch it in peace, in the shadows of a cinema, or at home after sunset. Certainly not in full light, with flash reflections on the screen, while ironing or as a soundtrack while working with the occasional "informative" look (I've been known to do that). I had somewhat overlooked Hugh Jackman until today, but here he impressed me with his heartfelt performance, I believed his every emotion. And thank God for the – forced by circumstances and limited budget – intimate mood of the whole film. The originally intended battles of armies of several thousand men and space ships would have made this fragile film a complete travesty. (05/15/2007)