Cinderella Man

The craftsmanship is very good and Russel Crowe’s excellent performance is so impressive that I ended up liking this film, even despite the shallow script; really, it lacks all depth and only plays a cynical game with the viewer’s feelings (Braddock is losing his strength, remembers a suffering child and wins… WTF). The poignant and pathetic scenes take so much time that they leave no room for any surprising twist (the story gets started, aims forward, speeds up a couple of times and doesn’t slow down even once). But I didn’t get bored, the final fight does generate some tension and I ended up satisfied. 7/10 (09/27/2008)

Ron Howard takes a risk this time in playing games with viewers’ trust, and he finds even greater success than last time in terms of emotional tension. During the final match, I felt the blows that Braddock takes just as much as his wife and I could tell from the viewers around me that I wasn’t alone. Russell Crowe is truly excellent. (10/06/2005)

Being a boxer during the Great Depression definitely paid off. A person had a job. It just required being a successful boxer. James J. Braddock was a successful boxer before the Great Depression, but multiple fractures in his killer right hand led him to give up boxing, or rather, he only received very bad matches. He only secured a job when he was lucky and they happened to have an opening at the docks. It wasn't easy, especially when he had to raise three children and also support his wife. After another lost match, when he broke his hand again, he was told that there was no longer any interest in him. He didn't give up, but luck brought him his manager. He arranged a fight for him against a young champion who needed a little sharpening. Surprisingly, there was no major defeat for the old champion, but his victory. And the star begins to rise again. This is exactly the story that Ron Howard could make a film about. A story full of emotions and pathos, and he's not afraid to shove even more of it in there. It's a bit of a shame. If it wasn't so terribly pathetic, it would be an even better film. Russell Crowe, whose name I couldn't remember for a long time, once again shows what a great actor he is, Renée Zellweger simply fits the role. Paul Giamatti is often like he's from another dimension - an underrated actor. Someone once wrote that there are no bad boxing movies. I have to agree. There is something about them that simply interests the audience. No matter how many sequels "Rocky" had, I enjoyed each one. "The Heavyweight" is also a film that caught my attention, if only it wasn't so terribly pathetic. More: http://www.filmovy-denik.cz/2012/10/ztraceno-v-prekladu-4-bratri-na-dotek.html (03/01/2013)

Cinderella Man is, until now, the best film by Ron Howard and possibly the best boxing film of my life. Howard may not bring a fresh breeze to the well-known genre, but he skillfully manipulates the given formulas and squeezes out emotions from me like a poem. When Braddock suffers, tears well up in my eyes, and when he fights, I have inclinations to root for him. And a huge praise to Crowe, because what he delivers is simply unbelievable, and it's a shame that he didn't imitate a similar role in another contemporary genre film later on. Russell, this was your night. (07/18/2006)

So here we have another powerful story about one unbreakable boxing soul, and also another important notch in the cinematic field with the subtitle of sports drama. Howard is a more than skilled and interesting director who never fully disappoints, and Crowe is one of Hollywood's best actors at the moment, one that makes you root for him all the time. As in A Beautiful Mind, their collaboration turned out to be more than satisfactory, with a story full of tried and tested but mandatory clichés (guess how it will end), an extremely likeable hero, excellent scenes from the ring and a true boxing heart that almost forces you to buy gloves and get initiated into the secrets of this purely American sport. Yes, everything is perhaps too much in place, and the filmmakers, however precise and skilful, deliver only what the audience wants to see beforehand. I'm not saying it's bad, the word itself is inadequate given the previous superlatives, but Cinderella Man will never be a maverick among boxing dramas, even though it tries very hard. (02/01/2013)