The Creator

A film whose creators stutter, can’t remember the beginning of a sentence and constantly run the gamut from “original sci-fi” to clichés and desperate banalities that mask one thing: The Creator says nothing relevant about the phenomenon of AI, which is merely another spectacular decorative element in a film that’s completely dependent on design. Neither the plot nor the world of the film makes sense; given how much space The Creator has, it never creates a coherent and comprehensible world. By comparison, even the didactic Elysium comes across as an engrossing fictional world. Edwards’ directing tries to go in depth, but it rather unconvincingly jumps from details to the big picture, from the present to the past. Some of the actors’ lines really could have been written only by Chris Weitz... Washington plays an utterly two-dimensional character who, through his suffering, only reinforces the impression that The Creator demands grand emotions, to which he is absolutely not entitled. Instead, it has the same feelings of emptiness and lifelessness as Godzilla and Rogue One. (09/27/2023)

The Creator is one of those films in which the formal side wins out over the content. Visually, it offers appealing locations and, above all, the visuals of the "simulacra", but in terms of story it is a compilation of earlier sci-fi pieces without any major attempt to provide a new insight on the subject of AI. In this "compilation" respect, I thought mostly of James Cameron's work while watching it (Terminator, Avatar or Alita: Battle Angel). Alongside the themes of AI and humans vs. machines, the father-child (Joshua-Alphie) plane had some potential, but was drowned in mediocre concept and a weepy denouement. Of the cast, the young Madeleine Yuna Voyles appealed to me the most, the rest was rather bland. Still, The Creator is certainly worth seeing in the cinema, even if it doesn't offer much material for deeper reflection after the screening. (10/22/2023)

Why was such a mundane story set in such an amazing world, why did I not care about the characters, and why was the ending so drawn out as to be almost annoying? Gareth Edwards couldn't build (and tear down) on the foundations of Godzilla or Star Wars Rogue One, and this time he came up with something of his own. Unfortunately, he didn't quite succeed. The story is about as dull as the Hans Zimmer music that accompanies it, and if it weren't for the technical flourishes that rival Avatar and that kept me entertained pretty much nonstop, The Creator would have been a mediocre attempt at sci-fi with an idea. I got the urge to watch Blomkamp's Elysium, which is similar in some ways, but it didn't play at anything. (09/30/2023)

And the bubble has definitely burst, so if anyone thought that Gareth Edwards was a directorial genius who was forced out of Rogue One by the evil Disney, and Tony Gilroy only “finished his job for him”, they're in for a nasty clash with reality. The Creator is a beautiful looking film. Physical, full of cool gizmos, gadgets, robots, tanks, rockets, and generally beautiful to look at. It looks very decent in motion too, Edwards is quite adept at war action, and at some points his latest film is reminiscent of Terminator or Avatar; and also of the film we've been looking forward to since the trailers. But then there's a lot of things he can't do. Edwards is a brilliant designer, a decent executor and a lousy storyteller. The longer I watched The Creator, the more I actually felt sorry for him, because behind that veneer of great production design is a woefully banal story, told in an unimaginative and uninteresting way. All the clichés you can think of are there, even the ones that you'll think would be a bit embarrassing if someone used them. Besides, The Creator tries desperately to pretend to be something more and offer some philosophizing in addition to the simple story, but Edwards is woefully unable to work with it. And the more he tries to look clever and multi-layered, the more it becomes apparent how superficial and boring this film is as the running time progresses. Nice, but... shitty, I guess not, but just not very good, either. (09/28/2023)

The Creator is a surprisingly average sci-fi flick that neither draws in nor surprises the viewer, let alone impress anyone with its production design. The film largely takes place in huts in Asian fields and, what’s more, in the dark. And when it comes to the futuristic city…well, that looks exactly like Blade Runner. And the heavy machines plowing through the jungle look exactly like something out of a Cameron movie. Another problem is John David Washington and his limited abilities as an actor – it’s impossible to believe him either as a conscientious refugee on the side of the rebels or as a protector of children’s innocence. And the repetitive grieving for his former wife, which doesn’t even elicit any emotion, becomes annoying over time. The only acting element that brings a bit of life to this film is young Madeleine Yuna Voyles. Two and a half stars. (10/02/2023)