The Boondock Saints

The story may limp along, the supporting characters can easily be confused with little inattention, and I still haven't deciphered the final message after years (Satire? Warning? Both?), but I don't mind. Symphony of blood, action, and slow-motion shots contains almost everything a genre fan could wish for and it pleasantly engages the viewer throughout. When I add Dafoe's eccentric exhibition, any negative aspects are much harder to find. (06/20/2008)

Tarantino's poetics, a lot of violence peppered with hyperbole in places, "fuck" following every other word, brisk direction by Duffy with a few visual flourishes that erase the handicap of the basic script and the low budget. But I also have to partially agree with betelgeus, I am slowly getting tired of the Taratino clones. Not everyone can combine violence with absurd humour as well as Tarantino or Guy Ritchie. Duffy has only a few bright moments (especially the scene with the unfortunate butchering of the cat). PS: On the other hand, Dafoe in the role of a genius detective is brilliant! (08/08/2004)

Well, I was flabbergasted. This isn't just any ordinary crime/thriller, this is a proper gritty film about two brothers who decide to take justice into their own hands as two saints who are chosen to rid the world of filth. There's also the great Willem Dafoe, who is breathtaking as the policeman. A big surprise! (09/04/2017)

Those were the days when they didn't know how to do comic book stuff yet. If it had the aesthetic of a darker Marvel or normal DC today, it could be a blast. But The Boondock Saints has a bit of a blowhard Ritchie and a bit of a whiny Tarantino, with some solid screenwriting in places, but nothing more. The few interesting moments cannot overcome the utter aesthetic chaos and confusing directorial style. I’d be interested in a remake, because the material does have potential. (06/13/2021)

Two self-proclaimed angels of justice are crushed through the grinder of bland "post-Tarantino" dialogue, and it’s not helped by any attempt at a vigorous narrative style. Duffy sets up the whole situation very casually, without emphasis on the absurdity of the plot (one cat can't save it) and the comic hyperbole it draws from. The main duo is accurate, and so is Dafoe’s detective, but they all flounder in a situation that begins and ends with the opening sermon in the church. (02/23/2010)