La mujer como imagen, el hombre como portador de la mirada
Plots(1)
Faces, bodies and actions are juxtaposed endlessly. Fragmented pieces of woman come together and form the volume of what has been her image in the history of cinema – one marked by routine domination and exploitation of her body. (Anifilm)
Faces, bodies and actions are juxtaposed endlessly. Fragmented pieces of woman come together and form the volume of what has been her image in the history of cinema – one marked by routine domination and exploitation of her body. (Anifilm)