Terminator 2: Judgment Day

In part one, Arnie promised that he’d be back. And he kept his word like a real gentleman. But the stumbling block here is the sticky epilog which I have never come to terms with (and have no plans of doing so in the future) and this also applies to the special effects which are unusually frequent for Cameron. P.S.: This is one of the few movies that HD is detrimental to. The picture is so crystal clear that in most stunt scenes you can easily recognize Arnold’s stand-in, who really doesn’t look much like him. (01/08/2010)

James Cameron was not, is not, and never will be a directorial wimp, as the vast majority of entries in his filmography are icons of their genre, and Terminator 2 is certainly no exception. I'm not a big fan of action movies, and in fact I don't even seek them out, but this classic changed my opinion of this type of film from a certain angle. All the action sequences and chases are absolutely perfect and authentic, which is not that common for that time. And when it comes to the special effects, I just stared in disbelief, thinking "Is this really from 1991?!" In the first one, every visual effect was accompanied by a lot of choppy movements, but here everything goes like clockwork. Schwarzenegger was just born as a Terminator and this role suits him best of all his other characters. In short, a timeless sci-fi film that won't get old with time and I will definitely find time to watch it again in the future. (07/19/2011)

Because The Terminator was a clear success with the audience and the revenue was, in one word, magnificent, the production studio decided to use its reputation to make a sequel, which was handled by almost the same crew as in the case of the first one, with the exception that William Wisher Jr. helped Cameron with the screenplay instead of Anne Hurd. Both main characters were portrayed by the same actors as in the first film, with the addition of Edward Furlong alongside Linda Hamilton as the future leader of the human resistance against the rule of machines. This fourteen-year-old boy was chosen in an audition from 1,400 applicants and received an unbelievable 30,000 dollars for his role. Unlike the first film, the sequel had a significantly larger budget, which allowed Cameron to come up with the concept of the liquid Terminator, an idea he had already thought of in the first film. However, at that time, he could not realize the idea due to insufficient visual effects technology and a limited budget. Unlike the gritty and stylish first film, the sequel is considerably more mainstream, and the altered character of the Terminator reflects that. Audience favorite Arnold Schwarzenegger was no longer meant to be a tough killer, but a robot yearning to understand human emotions, effectively becoming a positive character. On the other hand, Linda Hamilton portrayed Sarah Connor as a woman marked by her past, who was significantly tougher and more cynical. The unique innovation was the T-1000 robot, for which Robert Patrick found his role of a lifetime. The special effects required an investment of 25 million dollars, but it was well worth it in terms of revenue. The screenplay once again played with a clever time loop and even utilized the remains of the original terminator from the first film. Given that the sequel is just a safe bet and lacks the originality and rawness of the first installment, my rating is slightly lower. The second film was a safe bet for the director and producers, albeit one lined with dollars and therefore grandiose. Overall impression: 75%. (01/18/2008)

The second installment of The Terminator was the pinnacle of Cameron's career at the time, mainly because he managed to completely refine the script into the perfect crowd-pleaser. In his previous three films (Piranha II doesn't count), you can feel that he had to force a lot of things and therefore they felt more auteur, idiosyncratic, and innovative. In Judgement Day he already knew exactly what to add, what to trim, what to emphasize, what to cut. It's technically competent, but what can we say, it lacks heart. Suddenly we've got comic figures, a badass villain, would-be on-the-spot musings about humanity, and an jacked-up Linda Hamilton whose character is pretty much written as a militant feminist for no other reason than Cameron had been getting big props thus far for how he'd been working with female protagonists and their abilities to make it in a man's world. After all, he himself said in the 80s that he himself doesn't understand how the film industry can ignore the 50% of moviegoers who are still 80% deciding which film to see. (11/28/2017)

A seminal film, not only in science fiction, but in cinema as a whole. The fastest 150 minutes of my life, the most entertaining and at the same time most stylish action flick in history, better than anything by Spielberg or Ridley Scott. The story is again simple, but memorably upgraded with chilling flashforwards, a dash of perfectly workable value philosophy ("I swear I won't kill anyone") and of course the duel between two fantastic movie characters – the sinister machine, who gives you goosebumps and ranks among the best villains ever, and Arnold, who is more than just cool, and his building human relationship with John Connor is the biggest highlight of the whole film. The inimitable and touching finale only underlines all the genius. I'd probably propose to Cameron if I happened to meet him somewhere .... I just wouldn’t be able control myself. :)) (04/18/2022)