India Song

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Marguerite Duras’s most celebrated work is a mesmerizing, almost incantatory experience with few stylistic precedents in the history of cinema. Within the insular walls of a lavish, decaying embassy in 1930s India, the French ambassador’s wife (Delphine Seyrig) staves off ennui through affairs with multiple men - with the overpowering torpor broken only by a startling eruption of madness. Setting her evocatively decadent visuals to a desynchronized chorus of disembodied voices that comment on and counterpoint the action, Duras creates a haunted-house movie unlike any other. (Criterion)

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Reviews (1)

kaylin 

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English This makes me sad. Duras can employ the most intriguing film techniques in this film, ones that most other creators wouldn't use, but if the film doesn't resonate with me, I simply won't enjoy it and can't give it a high rating. Just because a film is an experiment and somehow holds together decently is simply not an indicator to me that it is a good film. Just the pursuit of art for art's sake. ()