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In the 1990s, urban terrorist Simon Phoenix is imprisoned in ice for the protection of society. His arch-nemesis, police officer John Spartan, also suffers the same fate after Phoenix frames him for the deaths of a busload of innocent bystanders. In 2032, in the renamed city of San Angeles, Phoenix is accidentally freed and begins a new crime spree on a now violence-free populace. Spartan is released to capture the one-man wrecking crew; in the process, he discovers the corruption beneath San Angeles' pristine surface. Through non-stop jokes and action, Spartan shows the docile, futuristic police force that the old ways are sometimes the best ways. (official distributor synopsis)

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Reviews (9)

Kaka 

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English Decent and very fast-paced action, above-average locations, and a brilliant comedic charge. But this legendary action-packed film has a lot more to offer. It's a good idea to portray a rough and gritty present full of violence in a distant, moderate version of the future, but where not everything is as glamorous as it may seem at first glance. There are plenty of references and nods that cannot be missed. Snipes and Stallone are excellent in their roles, and the overall visual depiction has no significant flaws. Occasionally, the overly simplistic script with a few relatively dull and unnecessary parts can be bothersome, but otherwise, this film is filled with a large number of directorial ideas and parody scenes. ()

Remedy 

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English Demolition Man is an action sci-fi with huge flair and a very nostalgic 90s feel. It's clear to me that they make movies differently nowadays and that Demolition Man probably wouldn't succeed in this shape and form today. But for me, it represents the purest memory of the "honest" nineties, when I was chasing VHSes (not even girls yet) and wanted to have muscles like Stallone. Plus it's hugely entertaining. "Be well." ()

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Necrotongue 

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English I would have given five stars but the music during the action scenes was annoying, and time took its toll on the visuals, which I found a little distracting. What I also didn’t like were Phoenix's monologues. He reminded me of a bad guy from a soap opera (minus all that staring into the camera). But that's the end of my gripes. Sly Stallone and Sandra Bullock complemented each other perfectly, it was packed with one-liners, I reminisced about the bygone days of rivalry between action muscle men, and the creators managed to portray exactly the kind of degenerate human society as is commonly seen today. The police still haven't been trained to fight violence, only the criminals don't come out of the freezer but arrive on dodgy vessels. P.S. It still boggles my mind how the three seashells worked... ()

kaylin 

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English Sure, those points are largely from nostalgia, but this movie simply managed to imprint itself in my memory and I remember quite a few lines from it, which is not really typical for me. Even after years, it still entertained me a lot and Stallone is great in it, his chemistry with Sandra works fantastic. Phoenix suddenly seemed very ordinary as the villain, but still overall amazing. ()

Marigold 

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English The opening part of the film is excellent, shot with great perspective and decorated with surprisingly good performances by Sylvester Stallone and Wesley Snipes,. Over time, the perspective fades and the film slides into action routine in which only Sandra Bullock can impress with her cool face and the appearance of a naïve virgin before the prom. It’s too bad - all they had to do was to keep the humor and not take the story (pretty pointless, of course) so seriously. Demolition Man, however, is one of the better items in Sylvester Stallone's filmography... ()

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