National Treasure

Overall, an average action-adventure popcorn flick. From Jerry Bruckheimer, I would expect a bigger action bomb. National Treasure is, in fact, a film that is average in almost all aspects. The story itself is couldn’t be more cliché, but it’s more or less saved by good action moments. (02/17/2005)

An undemanding entertainment that is essentially without violence, or rather without blood and dying, which I quite like. It's quite interesting in that aspect. Considering that I like various mysteries and the principle of treasure hunters, this suits me quite well, even though the celebration of America is basically everywhere here. However, this can be watched basically anytime and usually won't offend anyone. (02/19/2014)

A film that the should only fill an empty spot on a video store shelf grossed $170 million in the U.S. alone? I don’t get it. Actually, yes, Disney have always been masters of advertising hype, and the Bruckheimer name is a trademark with the hallmark of a certain commercial return. At least Cage gave his slowly fading career a bit of a boost, Diane Kruger proved that her lacklustre performance in Troy was no accident, Jerry put a few millions back into his piggy bank, and Disney patched up things after their animated flops. But I really don’t care. (04/26/2005)

Mediocre humdrum on all fronts starting with the screenplay (which badly and lamely borrows from the already obtuse DaVinci Code), through the actors, all the way to the music and directing. There isn’t even one original idea here, but even so it is pleasant to watch. However, as soon as the final credits begin, you have no idea what it was about. It leaves no lasting impression. It simply disappears into thin air. (02/05/2005)

The occasional unexpected twists go very well together with the dynamic editing in the rhythm of the energetic Zimmer-esque soundtrack, but in the second half, you give up just like you did with Pirates of the Caribbean. Monotony and protractedness set in and you’re no longer really interested in what exactly is happening in the film. Nicolas Cage and Diane Kruger are again fine, but Sean Bean already has more distinctive bad guys on his resumé. But that’s what you get with a Disney production – soft villains. (01/26/2005)