Directed by:
Paul GreengrassScreenplay:
Tony GilroyCinematography:
Oliver WoodComposer:
John PowellCast:
Matt Damon, Franka Potente, Brian Cox, Julia Stiles, Karl Urban, Gabriel Mann, Joan Allen, Marton Csokas, Tom Gallop, John Bedford Lloyd, Ethan Sandler (more)VOD (3)
Plots(1)
Two years ago, Jason Bourne thought he had walked away from his past. But now, his past is about to return. Bourne and Marie have maintained their anonymous, underground existence at the cost of permanence. Fueled by splintered nightmares and haunted by the past he cannot remember, Bourne moves Marie from city to city, trying to remain one step ahead of the threat implicit in every unexplained stranger's glance, every "wrong number" phone call--that at any second, without any warning, he might get pulled back into the world he hopes he left behind. When an operative appears in the sleepy village that has been their latest home, Bourne and Marie collapse their lives and head out. His past at the door, their only chance now is to run. But once a line is crossed and the stakes in a new global game of cat-and-mouse are raised, the Jason Bourne created by Treadstone--the covert, now dismantled operation that spawned cold-blooded, professional assassins--returns. Two years ago, Bourne walked away from the deadly world that created him with a promise of retaliation should anyone attempt contact. Now that that world has indeed come calling, Bourne intends to keep his word. They should have left him alone. (official distributor synopsis)
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Reviews (13)
Paul Greengrass delivers a spy thriller full of modern technology, fast cuts, and perfect handheld camera work. The plot is also very fast-paced, dynamic, and above all completely unpredictable. Matt Damon is a great action hero mainly because he doesn't look like a super secret agent at first glance, so you can relate to him much better.
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The perfect prototype of an action movie. Excellently thought-out action from beginning to end, with a wise lesson to be learned at the end. Perfect camerawork, amazing directing, Powell’s brilliant music, an excellent story... what more can I say? I hope Ultimatum will be at least as good, if not better.
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Paul Greengrass skillfully dismantles the idyllic ending that many criticized in the first installment, and he adds another genre label to the film – a revenge movie, along with its spy thriller elements. One cannot speak of pigeonholing when it comes to the form of this film, as it is a daring experiment in its own right, something that many established directors can only dream of achieving. Greengrass doesn't just use "handheld" cameras in action scenes, but he completely discards the use of a tripod. Thanks to his meticulous editing work, the storytelling takes on a completely different dimension compared to the first film. The gritty look of the entire film perfectly corresponds to the moods of the main protagonist, who fulfills his own tasks without a hint of emotion, tasks that his former employers, now his pursuers, are unable to comprehend. Where else can you see a positive hero beating an "innocent" girl against a wall and demanding a confession from her? Where else can the hero use a magazine to destroy not only the enemy but the entire house? The original filmmaker's experiment, which paid off multiple times for the producers, deserves one thing: To conclude the trilogy in spectacular style.
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I liked the first Bourne, the second is great. More realistic, more exciting, more interesting, more surprising... And yet, you could say that nothing that we haven’t seen elsewhere actually happens in it, right? But the film doesn't have to culminate in a spectacular, but ultimately stupid, jump down the stairs, as in the previous film, no - one (absolutely breathtaking) car chase is enough, followed by another, completely non-action scene that takes your breath away in the same way. I believe much of the Bourne mythos would be boring and ordinary if it weren't played by such excellent actors and made by "documentary filmmaker" Paul Greengrass.
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The simplest guide to return in royal style. Healthily combined hierarchy of opponents, even cooler approach and a flood of captivating and formally tousled action that has become the benchmark for every other action movie that borrowed a handheld camera. For the story, the biggest plus is definitely the cold-blooded duo Urban - Roden as a contrast to my favorite Pamela Landy. The fact that my heart rate immediately increases only when Jason appears on the street never ceases to amaze me.
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