Directed by:
Charlie ChaplinScreenplay:
Charlie ChaplinComposer:
Charlie ChaplinCast:
Charlie Chaplin, Martha Raye, Edna Purviance, Barry Norton, Frank Reicher, William Frawley, Robert Lewis, Arthur Hohl, Fritz Leiber, Vera Marshe (more)VOD (3)
Plots(1)
Speaking posthumously Mr. Verdoux, over a picture of his own gravestone, tells his story. Years as a law abiding bank clerk were interrupted by the depression and redundancy and he turned instead to the business of 'liquidating members of the opposite sex' for money to support his invalid wife and child. The story begins with the bickerings of a rich family of wine merchants one of whom, Thelma, has married a stranger called Varnay and she has not been seen since. They consider calling the police and peruse a photograph of Verdoux/Varnay as the scene changes to the man himself cutting roses in a country garden. An incinerator burns in the background. A Postman arrives with a letter from Mme Varnay's bank and Verdoux pretends to summon her and then forges her signature. The letter is to close her account and Verdoux counts the money with the practiced speed of the bank clerk. He calls a firm of brokers and invests the money in shares. The Wine Merchant family go to the police where they talk to Inspector Morrow. He is on the trail of a murderer of 12 wealthy women who died in similar circumstances. At Verdoux's country villa a Madame Grosnay arrives from the estate agents to view the house. Verdoux sets about finding out that she is a widow of means and tries to charm her. She is resistant to his approaches but he retains her address for future use. Verdoux meets a friend at a café, and asked about his improved financial circumstances admits to having made 'a killing'. He receives a phone call from his brokers saying there has been a fall in the market and that they must have a large sum to cover costs immediately. He consults his address book and leaves to visit another bigamous wife, Lydia. She is angry at his having stayed away for three months. His explanation is that he has been traveling in the Far East trying to have them from financial ruin and that she must withdraw all her funds from her safe deposit box. Lydia becomes suspicious, but too late. In the morning Verdoux arranges to send the money to the brokers and then leaves for his real home and family. His wife is worried about him, he seems 'so desperate' and he hopes that he can retire soon in relative comfort. They dine with their friend the chemist and seem in every way a normal family.
Verdoux next visits Annabella, another 'wife', in his guise as a naval captain. Brassy and financially gullible, Annabella is forever being taken in but seems unnaturally suspicious as Verdoux attempts to take charge of her financial affairs. Before she can lose all her money Verdoux must get rid of her so he can inherit. His attempts to drown and poison her all fail. In the meantime he continues to pursue Madame Grosnay, sending flowers twice a week. At home he talks to his chemist friend about an undetectable poison and hypothesizes that a murderer could experiment on a vagrant, set them up in a hotel, poison them and wait to see whether the police detect the poison. In Paris Verdoux puts his experiment into action and picks a young prostitute as his victim, but after he talks to her about life, love and her misfortunes he changes his mind and throws the poison away. He gives her enough money to keep her going for a while and leaves. He visits the florist to see if Madame Grosnay has enquired after him, unaware that detective Morrow has tracked him down. He arrests Verdoux on charges of bigamy thinking he can build a murder case once he has him in custody, but Morrow falls foul of Verdoux's undetectable poison as they travel on the train. Verdoux, escapes with the world thinking Morrow has died of a heart attack. Verdoux having had confirmation that the poison works, tries to feed it to Annabella but is constantly frustrated by mishaps. He tries to drown her but fails there as well. Cutting his losses he makes a further effort to engage the interest of Madame Grosnay and finally succeeds when she consents to marry, but Annabella turns up at the wedding as a guest and he is forced to flee. The family of the missing Thelma meet the police and Madame Grosnay and decide that Varney/Verdoux is their man, but have no evidence. The papers are full of the news of the Stock market crash and Verdoux desperately tries to sell his stock but he is too late.
Some years later Verdoux, old and worn, meets the young prostitute again. She is doing well in the Europe of the dictators, the mistress of an arms dealer. She notices he seems mellower and he explains that following the loss of his wife and child after the crash he lost his taste for his former profession and now thinks life is worth living just to see how it turns out. As they leave Verdoux is recognized and he finds a way to lock his pursuers in a side room while he says goodbye to the girl. He awaits arrest but the police bungle it until he aids one of his accusers to her feet and is finally recognised. Verdoux uses his trial to compare his murderous activities unfavorably with those of the warmongers claiming that 'numbers sanctify' murder and his little business could never compete with their larger enterprise. In the condemned cell a very sanguine Verdoux is offered some rum and accepts only on the grounds that he hasn't tried it before and is led away to the guillotine. (official distributor synopsis)
(more)Reviews (2)
“Business is a ruthless business.” Charlie Chaplin is nearly as bold here as he was with The Great Dictator seven years earlier. He again takes an actual murderer as his model, but this time transforms him into a loving husband who pursues a good deed through his murderous affairs. He does not go so far as to advocate murder in certain circumstances (which the author of the story, Orson Welles, may possibly have done), but even that minor contradiction which he brings to this black-and-white theme is pleasing. Unsurprisingly, the greatest asset is Chaplin himself in his role of a lovable, amoral criminal. For the casualness with which he interspersed suggestive one-liners with good old slapstick, I guilty wished that he still had someone to murder. With its “murder with a smile” approach, Monsieur Verdoux has something in common with Arsenic and Old Lace, though the latter is tighter and brisker. Unlike Capra, however, Chaplin did not make a mere madcap comedy. Therefore, it is a pity that he did not give the same care to the role of the family (Verdoux’s main motivation), which he somehow forgets about, as he did to incorporating the social subtext. 80%
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Charlie Chaplin once again proves how thin the line between comedy and drama is, in this case, a truly cruel drama. What is even more interesting is the fact that he created the character of a murderer and yet he himself remains irresistible throughout, especially in the ultimate conclusion. You simply believe the words he utters. There is no reason not to believe him, he is right.
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