Cinematography:
Roger DeakinsComposer:
Carter BurwellCast:
Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, David Huddleston, Philip Seymour Hoffman, Tara Reid, Mark Pellegrino, Peter Stormare, Flea (more)VOD (3)
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A laid-back Los Angeles bowler named Jeff Lebowski, nicknamed "The Dude", is beaten up by thugs who let him know that his wife owes money to Jackie Treehorn. One problem remains; The Dude has never been married and has never heard of Jackie Treehorn. Realizing the situation is a case of mistaken identity, The Dude discovers another Jeff Lebowski living in LA. This second Lebowski is a millionaire who throws The Dude out of his house, but not before he gets a glimpse of Lebowski's wife Bunny. The next day, The Dude gets a call from Lebowski saying Bunny's been kidnapped for a $1 million ransom. Lebowski offers The Dude 20 grand to act as the courier for the money. The Dude agrees, taking along his bowling buddy Walter who suggests they blow off the kidnapping and steal the money for themselves. The Dude disagrees but when Walter hands the kidnappers a bag of laundry, they are in deep. Things only get worse when The Dude's car is stolen with the $1 million inside. (official distributor synopsis)
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Reviews (14)
A film with one of the most beautiful, saddest and most inconspicuous characters in history - Donny Steve Buscemi. Alongside the noisy Walter-Jeff duo, the poor, pinned-down Donny barely gets a word in (shut the fuck up, Donny!), yet he's a silent testament to the Coen brothers' genius as the creators of the characters. I personally vote to rename the film from "The Big Lebowski" to "Quiet Donny" because I am moved to tears by Steve Buscemi's humble face. A beautiful comedy, beautifully constructed and with humor you can't get wrong.
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Not all superheroes wear capes – some wear bathrobes. When I grow up, I want to be like the Dude. Until them, I will imbibe his wisdom and a White Russian during the regular annual review of the holy scripture of Dudeism on New Year’s Eve at the Aero cinema in Prague. ——— Otherwise, The Big Lebowski is not only grand entertainment that never loses its appeal, which is thanks to the brilliant casting of an outlandish bunch of likably oddball characters, but it is also the most cunning and most clever neo-noir film that Joel and Ethan Coen have come up with.
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Brilliant! Brilliant! Brilliant! That the Coen brothers can create lovely characters is something I’ve known for a long time, but they have really outdone themselves here. Big Lebowski is something that Czech filmmakers should watch to realise that there is another kind of easygoing comedy than the good-old “about ordinary people”. Yeah, and if I had to choose between the Dudeists and the Fargoists, I would join the former.
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The absurdity across the board applied directly and only to Dude Lebowski himself keeps me quite grounded for once instead of cheering. It's not that Jeff Bridges isn't cool, or that I don't want to go bowling or taste White Russian, but this time I didn't have as much fun as I expected, even though it is filmed in the way in which only the Coen brothers can do it. And maybe that's the problem... my problem.
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Acting is great, humor is fine, but overall, there is a big question mark. Everyone is scruffy, lisping, and just strange, and I somehow can't enjoy the story and sometimes even the lines amidst all of it. From a film, with the reputation of a Coen masterpiece, I would expect more than just - however fast-paced - amusing bizarreness.
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