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A laid-back Los Angeles bowler named Jeff Lebowski, nicknamed "The Dude", is beaten up by thugs who let him know that his wife owes money to Jackie Treehorn. One problem remains; The Dude has never been married and has never heard of Jackie Treehorn. Realizing the situation is a case of mistaken identity, The Dude discovers another Jeff Lebowski living in LA. This second Lebowski is a millionaire who throws The Dude out of his house, but not before he gets a glimpse of Lebowski's wife Bunny. The next day, The Dude gets a call from Lebowski saying Bunny's been kidnapped for a $1 million ransom. Lebowski offers The Dude 20 grand to act as the courier for the money. The Dude agrees, taking along his bowling buddy Walter who suggests they blow off the kidnapping and steal the money for themselves. The Dude disagrees but when Walter hands the kidnappers a bag of laundry, they are in deep. Things only get worse when The Dude's car is stolen with the $1 million inside. (official distributor synopsis)

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Reviews (13)

JFL 

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English Not all superheroes wear capes – some wear bathrobes. When I grow up, I want to be like the Dude. Until them, I will imbibe his wisdom and a White Russian during the regular annual review of the holy scripture of Dudeism on New Year’s Eve at the Aero cinema in Prague.  ——— Otherwise, The Big Lebowski is not only grand entertainment that never loses its appeal, which is thanks to the brilliant casting of an outlandish bunch of likably oddball characters, but it is also the most cunning and most clever neo-noir film that Joel and Ethan Coen have come up with. ()

lamps 

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English It took me quite a while to realise what a creative and clever style of humour The Big Lebowski has. The script seems to be nothing but a showcase for all those amazing actors to display the bizarreness and exaggeration of their creations, but lacking substance. Yet the plot is packed to bursting with so many excellent gags, subtly hinted at or potential twists and a unique parody of many established narrative techniques, all while perfectly retaining its own distinctive face and, most importantly, never ceasing to surprise – rarely have I felt such a palpable joy in a film's sheer narrative, in the creation of witty retorts or one-liners, or in the direction of the actors themselves, whose performances really beg for their own lengthy commentary. Jeff "The Dude" Bridges clearly moves up to one of my favourite movie characters, John Goodman complements him brilliantly, and at times Philip Seymour Hoffman, who has this funniest role in his life, also speaks out vehemently. There is no need to talk about the amazingly inventive cinematography or the wicked soundtrack, they are par for the course with the Coens... 90% ()

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J*A*S*M 

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English Brilliant! Brilliant! Brilliant! That the Coen brothers can create lovely characters is something I’ve known for a long time, but they have really outdone themselves here. Big Lebowski is something that Czech filmmakers should watch to realise that there is another kind of easygoing comedy than the good-old “about ordinary people”. Yeah, and if I had to choose between the Dudeists and the Fargoists, I would join the former. ()

DaViD´82 

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English I found Lebowski’s “fight for his peed-on rug" really entertaining and I enjoyed myself more than I have for a long time... But then I didn’t see it for a couple of years, and so maybe I idealized it too much, because when I at last got a chance to see it again, apart from a couple of ageless moments, it seemed really rather mediocre to me. Every single actor here is incredible, no doubt about that. It still has more snappy lines per foot of film than any other movie, but somehow it lacks “soul". But maybe in a few years I’ll see it again and it will again convince me that it is entertainment that has no equal. ()

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