Rambo III

John Rambo punished Afghanistan in this movie. He shot whatever he could, killed whomever he could and let half of the country explode… and all of that to save a few people. But it was still great. A classic action where Sly kills on sight and I had to laugh for about three thirds of the movie. That’s what happens when you watch Hot Shots! before Rambo III in Afghanistan. (10/15/2012)

The basic storyline is practically identical to the second installment, so don't expect anything new. Rambo III is just a mindless action film, built upon two things: a plethora of action, which Peter MacDonald isn't skilled at directing, and Sylvester Stallone, who, in the role of the brave and unbeatable Rambo, mows down all possible and impossible enemies and can operate everything from a Jeep to a helicopter to a tank. (07/07/2005)

A quiet echo of the Cold War and a very peculiar anti-communist agitprop in a Rambo-esque way. The director and screenwriter (not including Stallone) make it clear that their creations only belong on the mediocre shelves of video stores, as their later films confirmed. Rambo III is a mere copy of the second film, with an unnecessary overload of scenes that are meant to de-mythologize the action icon as a cold killer and portray him as an ordinary man with concern for others (money for monks, repairing a temple, talking to Mujahideen fighters). This all feels a bit comical in contrast to the monstrous action that broke with reality in a bad way after the second installment. As a sign of peace, however, a lady named Nostalgia waves a white handkerchief between the viewer and the film in the end, which has me giving it a rating just below five stars. (09/05/2007)

The quality drops and drops after episode one. So much this time that it is no longer possible to find anything that it might have in common with part one. Rambo’s third movie adventure is no longer an entertaining B-movie like part two, but more of a comic-bookish over the top ridiculous C-movie. This time, the heroic John Rambo takes on the Russians in Afghanistan and primarily he “finally" fight a duel with a helicopter. And how does he do it? You really don’t want to see. On the other hand, you really ought to want to see it. (08/07/2007)

What used to make Ramba in my eyes, hasn't been lost even here, and "the one whose war is over" still has a lot going for him with the look of an older basset hound. Thanks to the second "Hot Shots", however, the first half-hour can hardly be taken seriously, especially the dialogue "I'll tell you a story, John". But even the most heated episode of the series doesn't take the magic of memories too far. (03/17/2006)