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Rocky Balboa is a struggling Philadelphia boxer who is scorned by his gym's owner, patronized by a local loan shark and rebuffed by a shy plain-Jane, whose brother keeps trying to engineer a romantic match. Heavyweight champion Apollo Creed comes up with the Bicentennial gimmick of touting a new fight as the chance for a nobody to become a somebody while planning to easily win the bout himself. But someone forgets to tell Rocky, who trains earnestly for the fight, and comes out swinging. (Showtime)

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Reviews (11)

POMO 

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English This film about the American dream is all the more natural, convincing and powerful the less it tries to be spectacular and cater to the audience at all costs. It is the humble inception of a legend, not yet aware of its future historical importance. Rocky is the purest film definition of Sylvester Stallone, both as an actor and as a person. ()

novoten 

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English The duel of an outsider with a favorite remains an eternal topic in the sports genre, and when the main protagonist himself writes the script about a person who stood up to everyone who didn't believe in him, the only thing left for perfection is some equivalent from the real world. Maybe the one when the Academy really ate it up back then and awarded both Sly and Rocky with a few shiny statues. The fact that a series eventually became out of a unique story is actually a shame, but that's a different story. ()

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D.Moore 

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English I've always liked Rocky, and every time I see it again, I'm amazed. It will probably never cease to amaze me how natural the whole film feels, how it does without a single cliché and how likeable its main character is. And best of all, it owes it all to Sylvester Stallone, actor, writer and fight choreographer. I'm not usually interested in boxing unless there's an interesting story behind the violence. But Rocky (like Raging Bull or Somebody Up There Likes Me) has just such a story. ()

Isherwood 

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English The naive story of the great American dream coming true is not Rocky's main issue. On the contrary, despite its simplicity, it is very believable. The problem lies in the overall execution, starting with the somewhat lacking writing skills of Sylvester Stallone and continuing through the direction to the acting performances. The first half is absolutely (!) unnecessary, the attempt to delve into the psychology of the characters is wasted due to the lack of directorial innovation, and boredom is inevitable, leading to yawning. In the second half, the plot and pace pick up towards a more promising potential, which, however, is again squandered due to the constant repetition of lines about a little insignificant man who was offered a life-changing opportunity (it only needed to be said once!). The final match doesn't surprise in any way, not only with its outcome but also with the dry impression of the used form. I would like to nostalgically close my eyes, but for some reason, I just can't do it. ()

kaylin 

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English I fell in love with this movie as a child, and it still is a powerful spectacle for me that affects me exactly as it should. Sylvester Stallone gives an incredibly genuine performance and is believable in his role like never before. Thanks to that, one can easily empathize with him and slowly climb to the top with him, which he eventually achieves, although it may have looked different originally. Nowadays, it's a bit worn-out, but that's because many films drew inspiration from its beautiful perseverance and effort to achieve the impossible. Sly wrote a great script that no one else could have played better. It's almost a shame that he turned the story into a series, but I still can't wait to watch the other films after the first one. ()

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