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When Jesse and Celine met on a Eurail train, the connection between them was immediate and profound. The 14-hour relationship that followed, as the pair explored the spontaneous and unexpected in Vienna, ended on a train platform where they swore they'd meet again six months later. Nine years have passed since that morning. On the last stop of his book tour, at the tail end of a reading in a Paris book shop, Jesse finds Celine watching from the back of the room. She lives in Paris now, he in New York. He's flying out that evening and they utilize every moment, finding their human connection no less vital, inspiring or real than it was in nine years ago in Vienna. In real time, these two individuals explore the inner workings of their hearts and minds and rediscover their rare yet powerful love for the unexpected, the unrehearsed, and each other. (official distributor synopsis)
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Even though the film is only 80 minutes long, I got pretty bored at times. Some of the dialogue was rather uninteresting. Maybe it was because I hadn't seen Before Sunrise and had nothing to draw on. On the other hand, I like how realistically it's filmed. I'm not a big fan of Julie Delpy, but she works well here. Both act naturally and handle their roles well. 3.5 stars.
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I saw it shortly after the end of Before Sunrise, and at first, I was a little scared that they wouldn't be able to recreate the atmosphere. Fortunately, every sentence spoken gains meaning over time, every casual conversation can take on a different dimension, and suddenly Celine says, "Because of that damn book..." and I break down into molecules just like Jesse. The second watching elevates Linklater's work to unforgettable and, in its more mature but no less magical storytelling spirit, is able to grasp the viewer and fill them to the brim with emotions and experiences.
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I have the opposite experience with Linklater's film trilogy than most other viewers. I didn't watch the first part and I gave the second a chance, but I didn't find any great enchantment in it, and it was only the last part that really interested me. With the exception of the opening scene in the bookstore, Before Sunset can be considered an endless dialogue between two people, where the scenery changes only a few times in 80 minutes. I have always liked dialogue-driven films, but here I feel that Linklater is testing the limits of my patience. The conversations between the duo in search of each other in the second part are not as narratively banal as in the first, but I don't find any depth in them by any means. Overall impression: 55%.
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When those two look at each other, you immediately know that this will be beautiful. Those two simply fit perfectly together and their meeting is magnificent. After nine years, they see each other for the first time, after she didn't fulfill her promise and wasn't at the place where they were supposed to meet for six months. However, he came. After nine years, they have the opportunity to talk again and to say what they want. Both of them are incredibly believable, the camera lets them speak, it walks in front of them as they walk through Paris, capturing their words as if it were capturing the meeting of two real people who haven't seen each other in nine years. A beautiful romance. Beautiful.
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The cleverly written dialogues are brilliantly delivered by both Ethan Hawke and his partner Julie Delpy. The film avoids sentimentality and romantic clichés, it captivated me with its simplicity and naturalness, while remaining interesting every second.
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Photo © 2004 Warner Bros.
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