Saw
Directed by:
James WanScreenplay:
Leigh WhannellCinematography:
David A. ArmstrongComposer:
Charlie ClouserCast:
Leigh Whannell, Cary Elwes, Danny Glover, Monica Potter, Ken Leung, Michael Emerson, Tobin Bell, Makenzie Vega, Shawnee Smith, Dina Meyer, Benito Martinez (more)VOD (3)
Plots(1)
SAW’s opening scene immediately plunges the audience into the unknown, along with the two unfortunate men, Adam (Leigh Whannell) and Dr. Lawrence Gordon (Cary Elwes), who wake to find themselves chained up in a fetid subterranean bathroom. The captives are the most recent targets of a psychopathic genius known as Jigsaw, who constructs elaborate games that force his victims to make impossible choices between life and death. As Adam and Dr. Gordon struggle to unravel the elaborate puzzle of their fate, Detective Tapp (Danny Glover) and his colleague Kerry (Dina Meyer) work furiously to determine Jigsaw’s identity before he can claim yet more victims. But Jigsaw has accomplices – whose willingness is not entirely clear – and his meticulous planning enables him to escape. (official distributor synopsis)
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Reviews (12)
Come out and play, Mister... A whole lot for very little. You see, Saw is like FilmBooster where the room is substituted by the webpages and Jigsaw by POMO himself, who mixes everything up with his twisted sense of humor. He deploys an army of a thousand multi-accounts to stir emotions and turns users against each other. I bet now we can look forward to some final twist and tricks on ordinary people like deleting all of their scores and reviews. That would be a master stroke worthy of this atmospheric genre.
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This basic premise was without the slightest clue of what I was getting into, and without the knowledge that I would see it countless times in future installments, it was really perfect back then. Despair, the unknown, and people in a strongly oppressive environment and situation still function today. It's a shame that with Jigsaw came the tormented cliché of "I'm aiming at you, but I'll wait until you take the weapon from me", because without it, Wan would have aimed really high. What the script loses here, it gains with the point. It may be problematic, full of holes, and perhaps even impossible, but it can't be taken away from it that it is truly unforgettable. The new Se7en may not have come then, but with a decade of hindsight and the presence of unbalanced sequels, the first Saw has matured into very favorable colors. 70%
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This is a very powerful, intense, and somewhat petrifying movie that everyone should watch to get an idea of how to play games in adulthood, if no one wants to play with you anymore, and if you are tired of playing board games like Ludo. Of course, you clearly cannot say that about the other sequels, as they lack the form and concepts of the first movie.
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There are quite a few things that didn’t come together, the acting isn't the best, but given the filmmakers' enthusiasm, the budget, the ideas (viewing a room through a camera flash), and most importantly, the brilliant and formally bombastic ending, it deserves a buck. Too bad the sequels just ruin the name of this awesome thriller.
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I didn't need the epileptic camera none-sense and the metallic soundtrack, but I admit that Saw is a good horror film, certainly above average by current standards. But I only realized this because of the great, great, great ending - until then I thought I was watching a rip-off of Seven, in which the characters occasionally do horribly stupid things (blinding illumination, by lightning, for example).
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