The Incredible Hulk

Of all the Marvel movies, I found The Incredible Hulk to be the least entertaining and action-packed, and as far as the story goes, it was rather shallow, plus I never found the character of Bruce Banner to be very likeable (whoever played him). Also, compared to other Marvel movies, it lacked some of the quirks and maybe even a plot twist, but it's true that it was one of the first cinematic notches in this universe. And I have to admit that I'm quite glad that Mark Ruffalo appears as the Hulk in the following films, as he fits the role better than Edward Norton, even though this character is my least favorite anyway. In short, a mediocre action movie about a "green bruiser" that just flows by and has nothing to surprise. (06/29/2016)

A unique cast versus primitively crafted characters at the level of 2D PC games. Blockbuster ambitions versus B-movie clichés. Straight-faced tacky stylization and fetishized straightforward and self-serving militaristic action. Simply put, The Incredible Hulk is a “completely new level of weird”, or an entertaining guilty pleasure worthy of the Golden Raspberry Award for the worst movie of the year. (07/19/2008)

Compared to Lee's Hulk, this one is filmed without a shred of an idea. The story unfolds in the style of "action - boredom - more action - boredom - a bit of suspense before the ending - boredom - final overstuffed mega-action". Of all the characters, I liked the villain Blonsky the most (I can take Tim Roth anywhere, anytime, especially when he plays a madman), and that probably wasn't the intention either. Letterier wants to impress mainly with the digital effects, but they are not very good, and at the end he piles so many on top of each other that it's unbearable, the unsympathetic Edward Norton has one facial expression throughout the film and Liv Tyler has two. But above all, it is sorely lacking in perspective! Everything is presented with such awkward seriousness... It was simply terrible. (09/09/2009)

Bruce Banner would have be pleased with this approach. Occasionally he would have been so enthusiastic about it that he would purr like a little baby at his mother’s breast. And in some places he would be so pissed with it that his elastic pants would get too small even for his alter ego. The Incredible Hulk is an amazing joy ride along a sinusoid graph. Nah, I’m kidding. About the sinusoid graph. While at some points and in some scenes it works even better than Ang Lee’s version, as a whole it is a ride half-way to nowhere. Lee’s adaptation is more “Banneresque", while Leterrier’s version is unequivocally “Hulky". How significant. It’s up to you which you like best. I’m reminded of Marvel’s first movie attempt - Iron Man. In that movie, the juice like the style and the actors worked well, but the action element, the finale and even the villain was rather subdued. Here it’s almost precisely the other way round. The villain and the action are ok (but still no miracle), but the rest is just a bit wishy-washy. For instance sparks fly between Norton and Tyler as they would in a microwave oven during a power blackout. Paradoxically it works more at the moments when he appears in that miserable CGI guise. And the movie is rather lifeless in comparison with Iron Man. No jokes, no snappy comebacks (all hail a couple of exceptions). But I’m not saying it’s bad. In the end we have two good genre movies in place of one great one. But, as the ending hints, there’s a lot more in store (and we’ll probably see it soon). Oh, and one more criticism. I would probably rather have seen Liv’s bare chest rather than Norton’s. So fans of America’s substitute for their missing mythology will have a reason to be happy. The rest of us have another quality picture in front of us to join the rather thin ranks of colorfully saucy comic book movies. Somehow, right now I feel like watching a classic version of Jekyll and Hyde... (06/19/2008)

From an antique tragedy interspersed with Marvel action, it went a few steps down. And it remained standing in a contradictory mezzanine. Five years after Lee's vision, which was received rather hesitantly, it is no wonder that we are supposed to forget about it from the very beginning. I could see it a hundred times, but I give up because I know I am in the clear minority. However, Leterrier is so excited about the previously overlooked Hulk-smash that he doesn't care much about character depth or traumatic inserts, and the Brazilian introduction even annoys him. As for the central characters and their performers, I have to frown a bit as well, because Betty is nothing more than a lovely catalyst for Banner's emotions this time, and Norton's portrayal of the titular hero is occasionally disappointingly shallow. So why the high rating in the end? Because any action scene is an explosive, impressive spectacle that takes your breath away, and Blonsky aka Abomination boldly joins the gallery of marvel villains cursed in the future, to whom I regularly have a weakness. The decisive factor for the fourth star is that this version of Hulk works solely and exclusively as bait for the Avengers. Yes, Iron Man, Thor, and Captain America are a class or two better, leaving Bruce as a small green one behind, but from a rather inconspicuous superhero side game, he gradually matured into a pleasant bite-sized snack. Note: The translation has been slightly modified for better readability. (10/27/2008)