Hotel Rwanda

Hotel Rwanda is one of those films that everyone without exception should watch so they can see the kind of people that live with us in the world, and make up their own minds and learn. From this perspective, this is a truly unique film full of emotion, friendship and human cruelty. In addition, all the woes and horrors are expressed solely through the character of Don Cheadle, who gives a fantastic performance, while blood and violence are not the main theme. But I’m giving it 4*, because the power of the original idea this time a outweighs little bit the final impression. (12/19/2011)

“I think if people see this footage they'll say, "Oh my God that's horrible!" ...and then go on eating their dinners. That’s right, I couldn’t put it better than in this quote from the movie. An outstanding picture which, despite the topic, leaves no lasting impression. Which is surprising at the very least. (04/21/2022)

At the beginning, it beautifully shows the absurdities that can lead to an uprising in a country. The rest of the film then presents what such absurdity can cause. This is almost unbelievable and makes your stomach turn. It's a wonder Paul and his family managed to survive. It really does seem like a miracle. But the madness of people, that's what makes the biggest impression. (04/07/2017)

From an emotional perspective, it is an almost perfect film that is based on real events that took place during the infamous genocide in 1993. Excellent screenplay, quality casting, and clever direction. The result is a film that has been successful worldwide and has managed to convey the cruel events in Central Africa much better than the media. One of the best films of recent years. Overall impression: 100%. However, it is not a film that is capable of conveying a good mood, it is a distressing testimony about a country that is deformed by its poverty and ethnic hatred. (06/13/2006)

A film from the same family as Joffé’s The Killing Fields. Tense, emotional, direct and at the same time not extortive in any way, and a drama with excellent drastic proprieties. We find the same elements on the motif level - for example, we observe the first contact with the real brutality of the genocide in the Tutsi population through the mediating area of the television screen. The feeling of ubiquitous brutality and hopelessness is only intensified by the limited space of the hotel and the occasional predatory intrusions of the surrounding horrors into it. Terry George gives his film rhythm via an alternation of silent conversational positions and incredibly tense sequences that are full of despair and existential worries abraded to the bone. The central character of Don Cheadle, who goes through development from a worried manager whose job is everything to him, to a man who will do anything to maintain his existence and that of his loved ones, is secondary, but it is a significant civilizing element of the wracking passages of one of the worst genocides of the 20th century. Through its passivity, the Western world feels no less hyenic and awkward than in Joffé’s twenty-year-old film. History repeats terrible circles. (10/03/2007)