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For the first time in his life, the legendary Casanova is about to meet his match with an alluring Venetian beauty, Francesca, who does the one thing he never thought possible: refuse him. Through a series of clever disguises and scheming ruses, he manages to get ever closer to Francesca. However, he is playing the most dangerous game he has ever encountered--one that will risk not only his life and reputation, but his only chance at true passion. (official distributor synopsis)

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Reviews (6)

kaylin 

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English Seeing Heath Ledger in such a role is simply fantastic. He is full of life, he is great, he is relaxed and you can always see what a fantastic actor he is. Lasse Hallström is one of my favorite directors because his movies always manage to caress my soul so pleasantly that I feel content and the world looks a little prettier again. ()

POMO 

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English Casanova is unexciting at first, coming across as a routine work wrapped in the strains of classical music, with a bland Heath Ledger. But as the pace pickups with the artful screenwriting and the entrance of Jeremy Irons and Oliver Platt (especially the latter!), it starts to heat up and the film turns out to be a tremendously entertaining, almost crazy, modern, joke-laden comedy treat. Director Lasse Hallström excels, while Irons and Platt expose their characters to cartoonish situations. This had to have been a memorable case of hilarious filmmaking for the crew. ()

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Kaka 

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English A historical fizzy fun drama, where the actors have a good time, the writers are quite brilliant in places and the cameraman shows us panoramas of Venice. Hallström's affectionate, almost familial style of directing is undeniable, but the second half pulls the whole thing into a kind of slightly bizarre, modern gag-riddled historical parody, dominated by Irons, Platt and the consistently horny, not yet well-known Natalie Dormer. It’s fun for one time, but don’t expect anything revelatory. ()

Lima 

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English I would never have believed, but Hallström took on this unusual and joyful subject with the same bravado as Casanova took on women. A light-hearted and irresistibly playful film with a great ensemble of actors. It doesn't try to make the viewer laugh at all costs with cheap humour, but just pleasantly winks at them "Look how I don't take myself seriously at all". Fat Platt, the women in period costumes, the pleasant classical music and the atmosphere of 18th century Venice are to die for (I don't mind the weaker special effects some users here complain about). Perhaps it's just that Ledger lacks the right sparkle that the most famous seducer of women of all time should have, and wouldn't hold up compared to some of his acting predecessors. ()

DaViD´82 

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English You might think that sumptuous historical adventure movies like this are a thing of the past. Hallström’s Casanova will put you straight on that. It is not flawless, for instance crucial scenes are almost ridiculous at times, while having a certain undeniable charm mainly thanks to the wonderfully captured atmosphere of Venice. Heath Ledger is surprisingly convincing in the Belmondo-type role, Sienna Miller is enchanting and when the Platt/Irons duo appears, perfection moves in. ()

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