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Sophie Scholl stars Julia Jentsch (of recent cult fave The Edukators) in a luminous performance as the fearless activist of the underground student resistance group, The White Rose. Armed with long-buried historical records of her incarceration, director Marc Rothemund expertly re-creates the last six days of Sophie Scholl's life: a heart-stopping journey from arrest to interrogation, trial and sentence in 1943 Munich. Unwavering in her convictions and loyalty to her comrades, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility that is both haunting and timeless. (official distributor synopsis)

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gudaulin 

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English Sophie Scholl: The Final Days is exactly the type of film that collects stars for its theme and main character. That character is a true resistance fighter executed for anti-Nazi activities. Although I liked the film as a whole, I had and still have a feeling of a certain schematic approach and view of Sophie Scholl. I have no problem with Julia Jentsch's performance, rather with what the script prescribes her. For the overwhelming majority of the film's runtime, her character is simply brave, never stepping out of character, and except for two moments, does not show her emotions, even though she is in a hopeless situation and is facing the worst. She almost always smiles and reacts very quickly to the interrogator's verbal attacks. I read several real stories of resistance fighters and their trials in Nazi prisons, at the Gestapo, in German courts, and later in concentration camps. The Gestapo and the state court in Berlin represented very well-functioning machinery that aimed to break and destroy those being judged. Of course, it was not always necessary to physically torture the interrogated, sometimes they confessed voluntarily. The methods were similar throughout the Reich and physical punishments, threats, and various forms of torture were never far away. For Scholl to dare to give an educational lecture to her interrogator on the advantages of democracy and the sins of Nazi Germany, and later to do the same, albeit on a smaller scale, to the notorious Roland Freisler as the head of the state court, seems highly unlikely to me, although I am not familiar with the details of the trial of The White Rose. However, the People's Court in Berlin was able to break even very tough opponents, among other things, experienced war commanders collapsed under Freisler's roar during the trial of Hitler's assassins or communist resistance fighters accustomed to long years of illegality and hard conspiracy. In short, the film seems a bit too cliché and predictable to me. Overall impression: 65%. ()