Spider-Man 3

The first two episodes boasted that unique Raimi’s signature that makes me appreciate them as modest little-big movies created out of pure love for the original comics. Compared to them, the third one is fake, pompous and seemingly hungry not for the support of the fans but for a big chunk of money... A blockbuster that is noisier, more megalomaniacal and more sprawling than its two predecessors, mocking itself in a figuratively and emotionally overblown finale that juxtaposes a heartfelt life confession and a tearful J.K. Simmons haggling with a little girl over how much she wants for her camera. Raimi’s direction is still better than good, the action sequences have the proper charge and the illegibility of the main character saves everything, but this is no longer the original Spiderman, it lacks personality and a surprising motif, just like all current comic book adaptations. 65% (07/21/2012)

A triple portion of moralizing nonsense, tastelessly worn-out sentiment, and the fact that all good people will live a happy life, while all the bad ones will burn in hell. Sam Raimi must have had a fever during filming if he thought that this transparent, boring, and worn-out nonsense would satisfy the viewers who were expecting a golden peak after the original first film and its action-packed sequel. Instead of a peak, there is a tragic downfall, Spider-Man has become an idiot pointing finger-guns at passers-by, wearing a dreadful hairstyle, Mary Jane throws wisdom around like a shaman of an ancient African tribe in her twenties, and Harry Osborne sees his deceased father in the mirror. Some of the supporting roles may have been decent, but the rest is an annoying, dull, and visually repulsive (incredibly obvious presence of computers) ride where the beginning fizzles out of your head before you even see the end. (10/02/2007)

Average, sometimes incredibly bad and naive. Raimi wanted everything - depth and fun - and he came up with awkward CGI coloring pages with an unconvincing protagonist and such conspicuous clichés that they can't even be enjoyed. Visually, Spidey offers nothing new, and inside the film rumbles like an empty barrel, despite trying to look very wise and thoughtful. Taken as a whole, it doesn't hold together in any way, and Maguira's performance is truly the culmination... This was simple not very good. (11/07/2008)

My favorite part of the trilogy and apart from Kirsten Dunst, Bryce Dallas Howard is also a nice addition. I have no idea where the mistake was made, but keep the same satisfied audience for five years if they have enough of it. In retrospect, I appreciate many things, including the compactness of the series, the light humor, and the use of a generous number of characters. And I certainly don't feel that there is too much pathos. They’ve taken some of it away compared to the second one, which is much more extreme. And MJ at the theater? A total fairy tale. (02/13/2011)

The garishness of the coarsest, er... grain. The longer the film goes on, the worse it gets, and the soap opera-like romantic plot is definitely one of the worst things poor Spider-Man has ever had to contend with. In the scenes where he's supposed to be evil and obsessive, Tobey Maguire shows that he's more good at overacting than acting, and Mary Jane's jealous exit is an ordeal. Yet Sandman would have been a decent villain if he had been given more space, as his birth scene is one of the best ever seen in a comic book movie. Seriously, no irony. Most of all, Spider-Man 3 looks like an attempt to make "something like Tim Burton's Batman Returns" that didn't work. (05/11/2015)