Apocalypto

It’s a pity the content is so rudimentary, because Mel Gibson proves that he doesn't care about Hollywood's standards and does whatever he wants. The concept of Apocalypto is already interesting in itself since there hasn't been a film about an ancient civilization like this before – if at all – so you must await with anticipation to see what will unfold. It's quite typical of Gibson, with lots of blood, a structured plot full of action and dynamics, plus a subtle hint of some kind of mythology that serves more for visual enjoyment. The enormous temples in the city are truly impressive. The presence of the digital camera was also somewhat debatable and unnecessary, but overall the level of entertainment is decent. It's a shame that it lacks the emotional depth that Braveheart, for exmaple, had. (07/13/2007)

It's not the ideal film. The script, despite its compelling point, works with unrealistic clichés taken from another genre. But to Mel's credit, he has turned many eyes of the world to this part of world history. There are never enough of these events. With the help of the original language, non-actors, and incredibly fascinating sets, he has achieved a true goal. Now there may be a wave that will eclipse even sword-and-sandal films, charting all those civilizations that have always been overshadowed for filmmakers by stereotypical antiquity. (01/04/2011)

This hyperactive indie flick is never boring even for a moment – as long as you have popcorn. The deeper intellectual dimension is only artificially grafted on and, together with the gratuitous violence, undermines the film. Apocalypto could have been either an excellent family film or a great existential drama, but it’s unsuitable for children because of its brutality and it turns off adults with its thematic shallowness. On top of that, the visuals look cheap due to the large number of shots filmed with a digital camera. The dynamics and editing are great, but the filters could have been put to better use, which would have helped the appearance of the film, giving it the look that makes The Passion of the Christ an audio-visual gem. Apocalypto is a thrilling experience, but a few days after watching it, you remember it as a forgettable farce that missed the mark. (02/05/2007)

Apocalypto can be seen as either an über-brutal adventure ride or an ideological banquet. The latter is heavily favored by Gibson's pro-Christian bigotry (ingeniously hidden here), the consistent depiction of the decline of the Mayan empire, which refers to the cause mainly in terms of social differences, and the finale with the arrival of the ships that so unwittingly save the protagonist, and it's hard not to notice the Christian symbolism in this scene. So it's not hard to see that Mel Gibson is currently a radical left-wing Catholic and for a long time that's the only thing to take away from the film. Fortunately, I'm reviewing this from a first-person perspective and thus, except for the unwatchable digital camera for me, I was supremely satisfied. Still, if Apocalypto is telling us between the lines that the Conquistador massacres were the best thing that could have happened to South and Central America, then still, points for courage -) (10/23/2010)

Gibson has balls. To have the nerve to make a movie that ends up basically as one big chase through the ancient history of the Maya civilization, you have to have them. Although a bit more editing might have been an improvement, I am basically pleased with Apocalypto. And not forgetting Horner’s excellent music, too. (12/07/2007)