Hellboy II: The Golden Army

I have to give it five stars. I simply have to. Not that anyone's forcing me to, but “Hellboy" is my favorite comic, and here it all looks exactly like it does on the pages of the comic books (although it's also completely different at the same time). Mike Mignola couldn't have found a man with more imagination and sense of atmosphere than Guillermo del Toro. I hope we get a third film. (04/26/2009)

The shallow and awkwardly simple clash of good and evil wrapped in the most clichéd motifs. Good characters, evil characters, an old king, a young hot-blooded lad and heir to the throne, a princess, love, monsters, a final battle, etc. We've had something similar at least a thousand times before, and if it weren't for the solid wisecracks, the beautiful costumes and make-up (it's clear that del Toro loves colors and is not afraid to experiment), the high-quality visuals and Luke Goss, who knows how to kick ass, as fans have known since the days of Blade 2, there would be almost nothing here, because this boring tale didn't appeal to me even halfway as much as I expected. (11/19/2008)

Hellboy 2 was supposed to be a non-narrative film from the start. The giants rising from the ground, giant flowers that bloom during death, and winged reapers could have silently told a story on their own, and their presence alone would have worked visually even as metaphor, which they are. They work on a fundamental level; everything around them does not. (09/15/2013)

Perhaps the best possible sequel I could have hoped for! The Golden Army surpasses the previous adventure in every respect, whether in its straightforward and spectacular execution, its stylish story, or its approach to the main characters, which is perhaps even more human and distinctive. Del Toro again literally revels in his work, getting the absolute most out of his characters, and his world full of diverse monsters is portrayed as breathtakingly as only a certain gentleman named George Lucas could. His direction is much more assured and less cluttered than in the first one, the action scenes are more imaginative and better structured, and Ron Perlman is still in top form, churning out one wisecrack after another, and his Red is slowly becoming one of my favourite comic book characters. Too bad we probably won't see a sequel. (08/29/2012)

For having a budget of eighty-five million, del Toro delivers an incredible piece of theatre, but the plot itself gets somewhat lost. Gone is the flamboyance of the first film, when the in-love "red man" was spouting dry catchphrases, and in the dark alleys he would fight other monsters from time to time. It does go into some of the depth of the mythology, but del Toro would have had to take an extra half hour to really get the whole colossus rolling and not just jump from place to place to blow it all away in two hours. Fortunately, it's still done with that passionate creative love for the comics and it's enjoyable all the way through. I give it a weaker four stars. PS: I believe that under Jackson's patronage, The Hobbit will be a smash hit. (09/18/2008)