Hellboy II: The Golden Army

I have to give it five stars. I simply have to. Not that anyone's forcing me to, but “Hellboy" is my favorite comic, and here it all looks exactly like it does on the pages of the comic books (although it's also completely different at the same time). Mike Mignola couldn't have found a man with more imagination and sense of atmosphere than Guillermo del Toro. I hope we get a third film. (04/26/2009)

Hellboy II is the most fantastic and beautiful fantasy movie since The Return of the King. Guillermo del Toro loves these monsters and you can feel it from this movie’s every pore. The Forest Elemental made me fall on my knees. There is not one but two love motifs, a ton of cool humor and colorful visuals tastefully blended with the fantasy world without a single tacky shot. And the film is NOT overstuffed or chaotic as some accuse it of being. Del Toro is a true magician with a clear vision, who is able to execute it with perfectionism. (09/21/2008)

One thing you really can't deny Guillermo del Toro is his utterly limitless imagination in the field of supernatural monsters and creatures, which makes his films uniquely fabulous and dark and terrifying at the same time. While it's true that at times Hellboy 2 slid down the slide due to its bland one-liners and moments, and that at times the dark action fantasy turned (almost literally) into a family drama, somehow the director still pulled it off in the end, and overall it turned out to be a pretty good and, more importantly, visually and imaginatively rich fantasy film. There were moments where I could feel the atmosphere from Pan's Labyrinth within reach, which is just as well. (05/25/2011)

The magic about “Hellboy" for me was always in its short, punchy stories. In longer stories, his strength, atmosphere and links with myths and legends fades, like it or not. Then it has to be scotch-taped together with a quickly thought-up mythology that is as dull as it is shameful. Unfortunately, Del Toro took the this path the second time around too. You can see that he concentrated on every last detail of this, but in doing so he forgot about the main thing. Entertainment. Despite action and humor aplenty, it just doesn’t work, even with a ton of tongue in cheek humor. If it weren’t for the central trio and the Ireland trip at the end (you see legends work better in myth-rich parts of Europe than on neon-lit Manhattan), so despite its pleasant visual aspect and a few nice ideas here and there (singing over a beer), it falls apart like Sparta Football Club did at Camp Nou Stadium in Barcelona. It’s good to watch, you certainly won’t get bored, but when the final credits came up I found it hard to remember what in fact happened. (08/16/2008)

The shallow and awkwardly simple clash of good and evil wrapped in the most clichéd motifs. Good characters, evil characters, an old king, a young hot-blooded lad and heir to the throne, a princess, love, monsters, a final battle, etc. We've had something similar at least a thousand times before, and if it weren't for the solid wisecracks, the beautiful costumes and make-up (it's clear that del Toro loves colors and is not afraid to experiment), the high-quality visuals and Luke Goss, who knows how to kick ass, as fans have known since the days of Blade 2, there would be almost nothing here, because this boring tale didn't appeal to me even halfway as much as I expected. (11/19/2008)