The Curious Case of Benjamin Button

The Curious Case of Benjamin Button is definitely a film you need to watch multiple times. Depending on our frame of mind, we can appreciate the individual components, Fitzgerald's theme, the lavish acting of Pitt and Blanchett, or Tilda Swinton's perfect little performance, who manages to steal a good half of the film for herself. I have a soft spot for the atmosphere of pre-war New Orleans and I'm glad Fincher paid homage to it in this way. (03/21/2013)

I know that the movie is about the relentless passage of time, fateful encounters, and mutual passing in life. But with all due respect to the luxurious cast, budget, and technically precise direction, this is the only Fincher film that bores me and, above all, almost evokes no emotions in me. I am indifferent to the fate of the protagonist and in such cases, I cannot give it more than two stars. Overall impression: 45%. (01/01/2013)

A masterfully crafted arrow which, however, takes a too direct path to its target and is above all TOO LONG, in addition to being made of components that we already know too well. The Curious Case of Benjamin Button spoke to me with its magical first third full of sincere kindness and breathtaking effects that turn the digital Brad Pitt into a better actor than the real one we see later. But the rest is filled with cotton wool, having little to offer beyond things that are superfluous to Benjamin’s story. Overall, it’s a nice movie, but not the film of the year. David Fincher is wasted on such mainstream audience ass-kissing. This is paradoxically his least interesting and controversial work. (02/01/2009)

David Fincher has better stuff under his belt, but Benjamin Button is a memorable film nonetheless. It’s a sentimental tale about life and death that in 160 minutes portrays a completely ordinary story affected by unusual circumstances. But there’s power in simplicity, it allows the film to reveal the meaning of all the symbols that fill its runtime, delivering by the end an emotional load that mixes sadness, melancholy and fatality in precisely calculated proportions, one that will bring tears to the eyes of the more sensitive viewers… The firm director’s hand and the dreamy atmosphere are only secondary reasons to grant it 5 stars. Gorgeous. (01/31/2009)

After a second screening, I was able to fully appreciate this moving meditation on life and death. It just confirmed for me the well-known truth that great films are to be enjoyed in the darkness of the cinema, with quality sound and image, and that it is for films like this that the big screens are made. The film flew by so that the 2 and a half hours felt like half an hour, I lost track of time and enjoyed the hypnotically captivating symbiosis of image and music. Then the emotions surfaced naturally, I would have set a lot of the thoughts expressed there in stone, and I guess it's true that the more you have experienced and the more you realize the transience of time, the more the film speaks to you internally (my mother was bawling like a baby). Cinema magic. Thanks, David. (02/09/2009)