Split

Sixteen years after Unbreakable, M. Night Shyamalan returns with another story about an extraordinary individual. This time it's an acting tour-de-force by James McAvoy, who succeeded in portraying his incredibly split personality to perfection – Hedwig and Dennis were the most impressive. The film is suspenseful from the initial kidnapping of the girls to the final denouement – even though I saw Unbroken after Glass. The setting of the cellars beneath the zoo had the right oppressive atmosphere, and everything was underscored by the unmistakable musical score. I was also intrigued by the story line around Casey's childhood and I liked the cameo of a certain unnamed character at the end of the film. A solidly made thriller about the dark corners of the human soul, which in this case are as convoluted as the corridors of a labyrinth – and it was a really dangerous labyrinth. (01/20/2019)

McAvoy is a master. And there’s girls running about with shotguns dressed in their bras… Shyamalan has returned to what he does best. Slightly chilling, weird thrillers which, due to peculiar camera work, the studio mistakenly classifies as horror movies. Split has a fine premise and, even if McAvoy has far too many people on his plate (only about four characters are important), the screenplay doesn’t go off into exaggerated descriptions of the situation – just about enough not to spoil the fun. The leading girl’s flashbacks seem slightly random, but in the conclusion they fit into the fragmented puzzle about the uncle with a liking for little girls. Shy has nothing to be ashamed about, on the contrary, this will likely hoist him onto a wave of success. Let’s hope he deals with it wisely this time. (01/22/2017)

Behold, infidel, who said that the genius visionary and director with Indian roots M. Night Shyamalan is well past his prime. After a series of commercially not very successful (but in my opinion definitely not bad) movies, he presents a film that deals with an incredibly interesting idea, which is also supported by practically perfect acting performance by James McAvoy. I have no idea what’s going through Shyamalan’s head when he’s coming up with such complicated premises, but I have to say that he’s doing a terrific job of putting his ideas on the screen, and mainly, he’s stirring up such emotions in me that I’s never come up with them myself. While watching this film, I actually felt that I was watching something that is rewriting the history of film and something that there will be lectures about in universities. That’s the kind of impression this movie made on me. (01/21/2017)

An uncompromising thriller about everything bad being good for something. James McAvoy shines fully, supporting characters deliver adequately, and if it weren't for the fact that the script occasionally pushes too much, I would leave with nothing but applause. The subject matter, which is professionally close to me, is just sufficiently overdone at the edge of the supernatural, so it could perhaps open the eyes of a few people. M. Night Shyamalan is, to my great delight, once again being hailed by the public as the king, but I don't plan to welcome him back. Because, for me, he never left. (01/19/2017)

It’s not that I didn’t want to shout “Mr. *****!” (mentioning that name would be a spoiler) while listening to the first notes of James N. Howard’s soundtrack classic in the movie. And not that I didn’t get chills down my spine at that moment. But in Split, which has practically no point or moment of surprise, this plot “extension” doesn’t serve any purpose, which is a proof that Shyamalan – despite all the wounds on his soul caused by his fall from grace in Hollywood – did not become a superman. But even so, the film was two hours pleasantly spent. Shyamalan has an irresistibly unique style, which I like to remind myself of by watching his divine trilogy. (02/07/2017)