Aliens vs. Predator: Requiem

Another lobotomy of the alien race, accompanied this time by exquisitely bad performances from the people of Earth. The creative duo of Greg and Colin Strause deserves respect for not restarting anything and dutifully picking up where Paul W.S. Anderson so haltingly left off, but apart from the impressive Predalien, nothing of what they do is entertaining. The respectable gaming and comic book series remains cursed in terms of film. (01/20/2013)

The script is great for this type of film, even though it lacks original ideas and the characters are not depicted in detail, but it’s action packed and without any boring moments. What the directors made from it, however, is sadly a different story. The hard to follow, badly edited action scenes, which make up about 80% of the movie, look like a direct-to-DVD C-movie with Michael Paré. Especially the shootouts with the army will make you shake your head in disbelief. That’s too bad, because the decent production values and cult status of Aliens and Predator put together could have amounted to a spectacular B-movie. (01/02/2008)

My mom summed it up with a pretty accurate statement: “They messed up the whole thing with those people." And I agree with her (it reminded me of those two episodes of General Hospital I saw), and I just want to add that they messed up a lot more things. To start off I would add a little more light. Just remember the first or the second Predator, which played out during the day for the most part. Well it is what it is. The main Predator is a nice guy as always and the aliens are revoltingly revolting as usual. The problem is in the Strause brothers’ directing, because they didn’t manage to create the right atmosphere. The plus is, that they fulfill some fans’ fantasies. The Predator planet and children used as incubators are probably the most interesting ones. And for that its three stars. (02/08/2008)

It's as if you were walking around a fair's House of Horror with exclusive exhibits, but you couldn't see anything because there’s a blackout. In the night scenes (which make up two-thirds of the film), the Straus brothers deliver confusingly edited action sequences drowned in darkness, in which many times you have no idea who is killing whom, who is shooting at whom, and whether this creature is a predator or an alien boss. The brothers prove with their script that they can squeeze some water out of a rock, but they shouldn’t have got behind the camera. (04/20/2008)

What bothers me most about this crossover series is the fact that the creators have sucked the soul out of two icons of horror sci-fi, leaving us with only a marketing product. It’s dressed up and packaged to attract the masses and neutered enough to hurt anyone drawn to the series with any sort of sympathy. The Brothers Strause understood the task perfectly, but in looking at the individual parts, they didn't understand a single one. And so they ride a wave of references (mostly to Cameron), which they intersperse with fashionable zigzags between the boundaries of correctness (dead children and pregnant women, an interesting kill list). The result is an unwanted B-movie dominated by... the Predator. His sovereign hunting instincts entertain about as much as the Aliens have been relegated to the role of expendable insects. I’d say that kids would be entertained, but my 13-year-old brother told me that it would be better to adapt the game than to create this... shit (I added). (08/08/2009)