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Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable, and man-made. Somehow immune, Neville is now the last human survivor in what is left of New York City and maybe the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone. Mutant victims of the plague - The Infected - lurk in the shadows... watching Neville's every move... waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But he knows he is outnumbered... and quickly running out of time. (Warner Bros. US)

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Reviews (12)

DaViD´82 

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English A wasted opportunity that Francis Lawrence, Will Smith, the almost omnipresent atmosphere and primarily the opening thirty minutes mange to save by the skin of their teeth. It’s just that after that it has nothing more to offer. The befuddled result isn’t due to the absence of action or the somewhat laughable monsters. The blame falls on the screenwriters’ heads. I will ignore that the only thing that remained of the book is the initial idea, but nobody try to tell me that the screenplay for the hundred minutes of running time was more than three pages long. Shame on them if they wanted to get paid for it too. When nothing at all happens, not even the undeniable charisma of Will Smith can do much to save things. What makes it even worse is the utterly ridiculous ending (the “alternative", faithful to the spirit of the book makes the movie much better). A blockbuster that isn’t a popcorn and where you can hear the thoughts of (not only) Bob Marley. That’s a big plus. But the fact that in the end this is just an average watch, is no big plus at all. ()

Marigold 

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English The atmosphere, which is as thick as pure gold, is considerably diluted in the middle by a) digital monstrosities b) black-ass agitation. Point a) is well balanced by Lawrence's strictly authentic directing and Smith's charisma, but unfortunately, point b) remains hanging in the air menacingly like a rotten crucifix. The raw and hopeless prelude directly tempts to leave it at it is, because the resulting depression would definitely be more impressive than a nice village with a church and God on a cloud. Despite the final "apage satanas", I enjoyed the film. If it wasn't afraid to stay in the declining genre, it could paradoxically be much higher. P.S. If it weren't for the coward producers, the alternative ending would have ironed out the final impression... ()

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J*A*S*M 

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English The first half is excellent, with a very good portrayal of a depopulated New York, Will Smith is brilliant and we don’t get to see much of the infected. But in the second half, when they start showing up more often and in their full glory, the quality declines because their CGI look is really not good. Also, the screenwriter deserves to be punched in the face for that ending. The rating is between 3 and 4 stars. ()

Isherwood 

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English In an amazing opening that reminds us that Lawrence is simply talented, you don't even think that a monumental betrayal is about to happen. The director is innocent in this because having to make something out of Akiva Goldsman's scripted nothingness is unenviable. It does give a few scenes a proper edge, and Will Smith's charisma works quite well, even if he’s not exactly comfortable in the dramatic scenes. However, the rest of it is a drawn-out boring 100 minutes. This was supposed to be a two-and-a-half-hour drama with proper action and fancy special effects, not a big-budget theatrical play with no balls. Someone forgot how to work with dramaturgy and let the creators of post-apocalyptic sci-fi and family soap opera onto the same set. This year, no film deserves the label of disappointment more than this one. ()

gudaulin 

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English I'm going to be brutally honest. I Am Legend is a stupidly written and routinely filmed B-movie that has nothing to offer besides decent post-apocalyptic visuals. I don't know anything more cliché than the motif of a destructive virus that turns humanity into an army of bloodthirsty mutated zombies - and here, diplomatically speaking, it is handled unoriginally. Nothing is clever in this film. Will Smith doesn't even manage the minimum of psychological acting that is required of him, and it is better not to contemplate the existence of the depicted world and the behavior of the hero of the story. The idyllic community of survivors with a pristine white church in the middle felt more like a raised middle finger to me. The film is an easily forgettable endeavor only worthy of being broadcast on late-night TV. Overall impression: 25%. ()

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