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Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable, and man-made. Somehow immune, Neville is now the last human survivor in what is left of New York City and maybe the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone. Mutant victims of the plague - The Infected - lurk in the shadows... watching Neville's every move... waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But he knows he is outnumbered... and quickly running out of time. (Warner Bros. US)

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Reviews (12)

Kaka 

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English Atmospherically, it's an excellently executed piece of work, which, despite several undeniable virtues and innovations, unfortunately doesn't quite work. The depopulated New York is captivating, but the cause of that smacks of sloppy work and is very sketchy. The atmosphere is gripping, just like the sound effects with outdoor noises and echoes throughout the night. The villains on the other hand, are so awkward. They look very digital, meditating in an abandoned house without reacting to light for a moment, then behaving like a hungry pack with a brain the size of a pea, and in a moment, the leader (WTF?) throws orders and gestures cheerfully and without inhibitions. We actually learn absolutely nothing about their intelligence, strength, and way of life. Everything revolves only around the attempt to save and the abandoned Will Smith, who is excellent. The ending is predictably predictable and it remains to be stated that I Am Legend will not be a legend. ()

DaViD´82 

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English A wasted opportunity that Francis Lawrence, Will Smith, the almost omnipresent atmosphere and primarily the opening thirty minutes mange to save by the skin of their teeth. It’s just that after that it has nothing more to offer. The befuddled result isn’t due to the absence of action or the somewhat laughable monsters. The blame falls on the screenwriters’ heads. I will ignore that the only thing that remained of the book is the initial idea, but nobody try to tell me that the screenplay for the hundred minutes of running time was more than three pages long. Shame on them if they wanted to get paid for it too. When nothing at all happens, not even the undeniable charisma of Will Smith can do much to save things. What makes it even worse is the utterly ridiculous ending (the “alternative", faithful to the spirit of the book makes the movie much better). A blockbuster that isn’t a popcorn and where you can hear the thoughts of (not only) Bob Marley. That’s a big plus. But the fact that in the end this is just an average watch, is no big plus at all. ()

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gudaulin 

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English I'm going to be brutally honest. I Am Legend is a stupidly written and routinely filmed B-movie that has nothing to offer besides decent post-apocalyptic visuals. I don't know anything more cliché than the motif of a destructive virus that turns humanity into an army of bloodthirsty mutated zombies - and here, diplomatically speaking, it is handled unoriginally. Nothing is clever in this film. Will Smith doesn't even manage the minimum of psychological acting that is required of him, and it is better not to contemplate the existence of the depicted world and the behavior of the hero of the story. The idyllic community of survivors with a pristine white church in the middle felt more like a raised middle finger to me. The film is an easily forgettable endeavor only worthy of being broadcast on late-night TV. Overall impression: 25%. ()

Isherwood 

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English In an amazing opening that reminds us that Lawrence is simply talented, you don't even think that a monumental betrayal is about to happen. The director is innocent in this because having to make something out of Akiva Goldsman's scripted nothingness is unenviable. It does give a few scenes a proper edge, and Will Smith's charisma works quite well, even if he’s not exactly comfortable in the dramatic scenes. However, the rest of it is a drawn-out boring 100 minutes. This was supposed to be a two-and-a-half-hour drama with proper action and fancy special effects, not a big-budget theatrical play with no balls. Someone forgot how to work with dramaturgy and let the creators of post-apocalyptic sci-fi and family soap opera onto the same set. This year, no film deserves the label of disappointment more than this one. ()

Lima 

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English The cartoonish abilities of the infected are a shame. They are so strong that they could perhaps shred an armoured car and so fast that they could leave Asafa Powell behind in a short sprint. That clashes a bit with the rest of the film, which is actually a kind of intimate story about the lonely life of a single survivor, his feelings and sadness. An "intimate piece" with phenomenal visual effects, it must be added, because you have never seen New York depopulated by digital magic like this before and you may not see it again for a long time in the future. This is a one-man show about a guy who hardly leaves the screen for the whole movie, and Will Smith proves that if you have the acting chops, you can sell it, even the poignant dialogue with the artificial mannequins in the shop window. Who would have guessed years ago that this Fresh Prince, who rapped to the world his wisdom about the 'gangstas' of the neighbourhood, would become such an acclaimed film star. Despite the pathetic ending, it was two interesting hours, although the lady sitting in the cinema behind me had words for it: "....more American crap." She clearly didn't mean it. ()

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