Harry Potter and the Half-Blood Prince

Just as I witnessed the exact translation of the tense political and magical atmosphere with the Phoenix Order, in the Half-Blood Prince, there is a mood full of anticipation, competition, pranks, and infatuations. The popularity of this installment simply depends on the popularity of the book source material, and those who expected a progression of past storylines without knowledge of it are bound to be disappointed. In Hogwarts, there is an atmosphere of year-long Valentine's Day, where it is easier to forget everything that burdens the outside world. And so, only Dumbledore regularly reminds everyone of why Harry is indispensable and irreplaceable, Draco noticeably keeps his distance from others, and the Christmas holidays show once again that evil never sleeps. Naturally, the screenplay doesn't forget that the dark fantasy mythology continues to progress and leaves our heroes exactly where they were destined to be from the beginning of the saga. At the beginning of the final rebellion, on the brink of independence. And the gem of it all is that both darkness and enchanting romance work so naturally alongside each other that it takes your breath away. Yates is a king. (07/30/2009)

It's unfortunate that the conversational aspect from the life of teenagers returns. I'm used to the undersized story, but I’m simply not interested in the emotional chatter of the little wizards. It’s a good thing that Yates gets the film going decently again in the second half. After the promising fifth film, it was confirmed to me again that the film version of Harry Potter is a precisely treated product, but there is no great magic – it disappeared with the departure of Oldman and the influx of hormones. Fans will be pleased, the infidels will not be offended, and the film will amuse and do no harm. Stupefy... not a chance. [65%] (07/13/2009)

Certainly the most cinematically accomplished and best made Harry Potter film (so far). I really like Yates’ approach to the material, and what he started in Harry Potter and the Order of the Phoenix is brought to near perfection here. The bridge demolition scene is absolutely stunning, and add 3D to the mix. :) The fact that the films don't work much with the books they’re based on has annoyed me a little (or maybe a little more), but Yates' Harry Potter and the Half-Blood Prince has great pacing (despite the rather long romantic storyline) and those slightly drawn-out two hours flew by unbelievably in the cinema. I don't understand the users who rate this flashy bit of cinema and acting 2 stars... A film is a film and a book is a book. 4.5 stars (08/11/2009)

For me, this is the most messed-up film adaptation of the Harry Potter books, mainly because the creators focused mainly on that one scene at the end and kind of forgot that the story has something more to it. Yes, it is much more for adults, parents can watch it and enjoy it too, but here the original material got quite badly beaten. (02/03/2014)

Some things were extra (the opening digital destruction of London), some things were not enough (ironically, the mystery of the Half-blood Prince), but the film is still excellent and David Yates proves that his previous success was no accident. The story has once again pared the book down to the bare essentials. There are many characters, but the most interesting ones get the most space they deserve (apart from the central trio, they are probably Dumbledore, Snape, Malfoy and the Horace Slughorn), there is no lack of emotion or suspense (for those unfamiliar with the story, there are also a few surprises and even shocks), a nice romantic and friendly storyline and a few rewardingly funny scenes (brewing potions, Ron the Catcher...) to lighten and balance the necessary fatefulness. As a warm-up for the finale, The Half-Blood Prince is perfect. (09/10/2015)