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After a deadly plague results in the quarantine of the entire country of Scotland, a wall is built around the country preventing anyone from going in or out. Thirty years later, the British government believes everyone within the wall to be dead, but when they find signs of life and learn of the possibility of a cure, a team of specially trained agents led by Eden Sinclair (Rhona Mitra) become the first outsiders to venture inside the country since the epidemic. They discover that there are plenty of survivors who have splintered into fierce, warlike tribes, living in a lawless society where cannibalism and murder are the order of the day. (United International Pictures UK)

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Reviews (11)

POMO 

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English This B-movie is a mix of everything we’ve seen a hundred times before, without a single idea, with hard-to-follow action scenes and flat characters. The more space Neil Marshall tries to cover – be it as a screenwriter or as a director – the more he messes up. And Doomsday is his most expansive film yet. ()

Isherwood 

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English Lacking any sense of proportion, common sense, and higher filmmaking ambition, Neil Marshall commits the craziest cinematic theft on the m2 film box. But he also damn well entertains us for a hundred minutes, lecturing at the High School of Grindhouse in a latex suit, punk haircut, and sword in hand, in a distinguished British style. Hopefully someone will attend the class and learn something. ()

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MrHlad 

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English It's as if Neil Marshall is making fun of the whole world. He's got a lot more money than he's used to and he's totally off the rails. There's a lot of gloriously uncompromising violence, badass one-liners, and a perfectly cracking atmosphere. It has its charms and you can tell it doesn't take itself seriously at all, but unless you grew up on Escape from New York and watch Mad Max twice a year, it's probably not going to work for you. The editing could be less chaotic. ()

D.Moore 

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English Slightly above average B-movie crap, which is lucky that it moves fast (something is practically always going on) and entertains, so you almost don't even stop to think about how unoriginal it is. Neil Marshall takes something from many famous (and better) films, throws it in the pot and cooks up this post-apocalyptic stew. It's not a bad meal, but as I said - you can eat it on your own. Leave your brain somewhere better for now. Best scenes: The ambush in the "deserted" town, the feast, Malcolm McDowell's speech (the guy is seriously the devil) and of course the whole final Bentley scene, which is so over the top it's brilliant. ()

Necrotongue 

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English Doomsday offers absolutely nothing new in the post-apocalyptic genre, but it’s still entertaining. I especially appreciated Rhona Mitra's hilarious hi-tech eye. It was interesting to see the effects of the virus on the Scottish population – turning them back into savage Picts with cannibalistic tendencies. No wonder they have always been perceived as a threat by the English. A fun action movie. ()

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