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When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt, Beatrice McCready hires two private detectives, Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons - they're not cops and they know the tough neighborhood in which they all live. As the case progresses, Kenzie and Gennaro face drug dealers, gangs and pedophiles. When they are about to solve the case, they are faced with a moral dilemma that tears them apart. (Miramax Films)

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Reviews (11)

gudaulin 

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English A disturbing, intelligent thriller with a provocative theme and an even more provocative climax, which pits law and justice against each other, i.e., the criminal code and morality. It even explores the boundaries of ethical behavior by relativizing the concepts of good and evil. Its characters are not black and white and are also exposed to extreme situations that require truly fundamental and difficult decisions. The clever script has several significant twists in the perspective of the characters and their actions, and the film can be watched not only as a brilliant detective story but also as an excellent psychological drama. Moreover, the film is brilliantly cast and professionally directed and acted. I have absolutely no problem giving it five stars. Overall impression: 95%. ()

J*A*S*M 

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English Without a final twist and uncompromisingly leaving the question “What is right?”, it would only have been a thriller with brilliant direction and performances, but with that Gone Baby Gone becomes an exceptionally intense experience and a superb drama. But is the answer to that question really that hard? Not for me. ()

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Isherwood 

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English Ben Affleck strikes back at all the scoffers over his acting talent and shows that he can do much more behind the camera than in front of it. Any absence of ill-considered steps, and on the contrary, absolutely perfect scene timing, great camera work, or excellent editing, show that there he has top talent. Especially if he chooses an excellent script next time, which will blow you away with its intensity of dialogue, a dose of life experience, and especially the final double-twist. After American Gangster, this is the second film whose absence from the Oscars is incomprehensible. ()

Kaka 

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English A quality film for one evening. It's not an Oscar-worthy masterpiece, nor a film that you could watch twenty times and still discover something new, it's ordinary, austere, technically simple, and quite effective in certain moments. But the storyline isn't that elaborate, and many things can be guessed from the course of the film. Above all, Ed Harris is outstanding. The ending didn't deliver the catharsis I expected, but it has a logical culmination. Ben Affleck is definitely better behind the camera than in front of it, and I think that has surprised many film fans, especially since it's his directorial debut. ()

D.Moore 

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English It was "only" a good film until the final reveal, but then it became a great film, one of those that really makes you think about how you would have acted yourself. And that's valuable these days. I love Dennis Lehane's books and it's a good thing that this one I couldn't get hold of for so long and unlike Mystic River or Shutter Island I hadn't read it before the film. My surprise and my experience were all the greater. I think Morgan Freeman gave one of his best performances ever in a relatively small space. ()

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