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In the seventeenth century, two Jesuit priests face violence and persecution when they travel to Japan to locate their mentor and to spread the gospel of Christianity. (official distributor synopsis)

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Reviews (12)

lamps 

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English The silence of a directorial genius. It has gorgeous cinematography, but that’s something I take for granted and consider mandatory in world-class filmmakers; the dialogues have something to then, and the message is morally unquestionable, carved into the viewer with a surgically precise pace and methodical narrative rhythm. BUT steady pace does not equal quality pace, and I personally didn't become a staunch defender of the art of filmmaking in order to patiently stoke my faith in a director's divine abilities, which began to fade after a few dozen emotionally catatonic minutes, and even after 160 long minutes, it didn't even come close to rediscovering itself, unlike the steadfast protagonist. To fully appreciate the film on a purely narrative level, I guess I wouldn't have to be such a die-hard atheist and hardened ignoramus of man's blind faith in supernatural forces and the hellish consequences of betraying one's own beliefs; to enjoy it as a visual self-questioning catharsis, it wouldn't have to talk and repeat so much simple, universally understood religious motifs. God bless Scorsese for taking on such heavy and massively impenetrable material in the first place, but this time I dare to tread on his sacrament and I can honestly say that if Bruce Wayne had popped up behind Liam Neeson's back at the end and kicked his ass with kung fu, I might have been a lot happier with the outcome. Kundun, although with a less serious subject, was much more enjoyable. ()

novoten 

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English I admire Martin Scorsese for reaching for matters of the heart without hesitation, even after audience-pleasing films like The Wolf of Wall Street or Shutter Island, knowing that it may not be successful commercially. And as is customary with matters of the heart, one reluctantly leaves out, limits, or shortens one's expectations. The fight for truth, against suffering, and with one's own ego, is portrayed in a way that is a destructive spectacle, thanks in large part to a phenomenal performance from Andrew Garfield. It raises a hundred and one questions, but mostly focuses on the same topic, which inevitably becomes tiresome even for the most accommodating viewer given the copious running time. Through Rodrigo Prieto's captivating camera work, Silence is visually stunning, but due to the sluggish screenplay, it is a bit challenging to engage in conversation about it. ()

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NinadeL 

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English Personalities like Martin Scorsese have the power to make the general public interested in subjects they choose. Such a personal topic for Scorsese was the novel "Silence" by Shūsaku Endō, which he presented to Western viewers 45 years after its original Japanese adaptation Silence. However, it is very difficult to establish a personal connection to the story of Portuguese Jesuits on a Japanese mission in the 17th century. The spiritual atmosphere and beautiful landscape are certainly captivating, but A-list actors like Andrew Garfield, Adam Driver, and Liam Neeson are naturally more suited to a different context. ()

Remedy 

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English If Martin Scorsese didn't have a hand in this, I'd probably avoid it in a big way. Unfortunately, I have to say that his contribution is not very good this time around, and except for about three very interesting camera shots, the whole film is very monotonous and at times drags incredibly. I understand what Martin Scorsese wanted to convey and it certainly has a concept. But in the end I suffered through the whole two and a half hours more out of respect for the director than for any other reason. ()

Malarkey 

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English It’s clear already from the name of the director of this movie that this won’t be just an ordinary movie. Martin Scorsese has the gift to make revolutionary movies and this one will be no exception. The only problem is that he’s not offering a simple, meaningful and logical plot. You see the Japanese are anything but easy to understand for us and you need a lot of time to study them. And that may be why this film is so interesting and that may have been the reason why Martin Scorsese decided to make a movie like this. And I totally understand the silent camera which has the image of what’s going on in the scene speak for it. You see, this film is so interesting that it’s actually incredibly hard to understand. You be the judge of that. The movie takes 161 minutes. For most of the movie, what you get is silence, destruction and two priests who are evidently somewhere where they shouldn’t be at all. The viewer can’t even by surprised by what they see. What I was surprised by, however, was Andrew Garfield’s acting performance, who is no longer the underage Spiderman who I took him to be. He finally got a chance to show himself. And along with the absolutely amazing cinematography, these are two reasons why this movie is worth watching. I was ecstatic. Silence may not be an easy film, but it’s full of incredible moments. And those sure are worth experiencing! ()

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