Captain America: The First Avenger

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In 1942, Steve Rogers (Chris Evans) is deemed physically unfit to enlist in the U.S. Army and fight the Nazis in World War II. Volunteering instead for Project: Rebirth, a secret military operation, he is physically transformed into a super-soldier dubbed Captain America. With sidekick Bucky Barnes (Sebastian Stan), he fights the Red Skull (Hugo Weaving), Hitler's treacherous head of advanced weaponry, whose own plan for world domination involves a seemingly magical object known as the Tesseract. (official distributor synopsis)

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Reviews (15)

Filmmaniak 

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English Fun, full of exaggeration and featuring the excellent Tommy Lee Jones, but also straightforward and with disgusting Czech dubbing to boot. It also works mainly as a mere performance of the Captain, necessary for the Avengers, so the start in the first half is quite lengthy. The film feels a bit like a prologue. The excess of German weapons and equipment is immense. But it was worth waiting for The Avengers teaser. ()

J*A*S*M 

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English This stupid bullshit has better reviews than the brilliant Green Hornet? Poor taste rules the world :D… Captain America felt bland already from the trailers, so I didn’t bother going to the cinema – thanks God for that! It’s been long since an expensive Hollywood blockbuster made me suffer so much. I didn’t like the story, the visuals were very ugly; I really can’t find anything to praise. After the trailer for Avengers (that looks every bit as derivative as the Captain and the other origin stories), I’m now feeling almost certain that the Marvel Universe will not produce anything great. ()

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Kaka 

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English It’s almost impossible to evaluate it objectively. It’s a film full of excellent lines, details, camera sweeps, several dialogue scenes, and a beautiful chemistry between the main characters. It’s slightly naive, and gradually turns into self-parody, but I couldn't help but feel a certain fragmentary and inconsistent mix of styles. Sometimes the it doesn't know what it wants to be, so it throws in everything just to be sure. A bit like combining Tomorrowland and Indiana Jones. I didn't enjoy the action and the visual effects were average, except for a few exceptions – I expected much more in this regard. Visually, the trailer was much more captivating, which is quite amusing in hindsight. But it's not all bad. Hayley Atwell is a first-class babe who will make a career out of this role, and the final scenes with the bomber are visually stunning - I haven't seen such mix colours in a long time. ()

Isherwood 

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English I wanted to believe in it after the good trailers and mostly positive feedback. But Joe Johnston and I once again don’t see eye to eye. I don't mind the poetics of Captain America as such, I understand the time period and why the comic was created, and how it got moving according to Hollywood rules is appropriate to all of that. Yet the whole thing is so perfectly staged, it has a lot of visual frills, and it overflows with insight that is delivered by precisely cast actors, until in the last third I stopped enjoying it just because of how perfectly it copies the classic template. It's not the failure that Green Lantern was, and the king of the naive comic book films this year was Thor (and the film made do with half the bombast!). ()

D.Moore 

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English I have a soft spot for Joe Johnston's films. Why? Watch Jumanji, Hidalgo and Jurassic Park 3 and you might understand... The guy's filming because he enjoys it. He has no problem mixing action, special effects scenes of all kinds and humor, which is his greatest strength. So three cheers for him directing Captain America. I can't imagine another director (except perhaps Spielberg or Sommers) who could make such a ridiculous hero so "believable" in the real world. All in all, this comic book movie has it all: A wonderful retro atmosphere in the style of Sky Captain and the World of Tomorrow, likeable characters (big ones, with Chris Evans in the lead, and small ones, like the members of the Captain's team), ultra-evil villains, a really top-notch soundtrack by Alan Silvestri, action scenes like from a boy's dream (what does a soldier do when he runs out of bullets in an ordinary rifle? He grabs the nearest dead Kraut's ray gun, fires it away, and then takes it with him!), an admittedly forgettable love plot, but with a non-forgettable badass woman, good, eye-popping digital special effects, like in the fourth Indiana Jones, and thoughtful continuity with other Marvel movies (the big space given to Stark Sr. was a delight). In the closing credits you will not only see the Czech flag - you'll even see Jack Nicholson in there (I insist it's him)! ()

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